Book cover illustration – update

Fear motivates. The paralyzing fear that if I mess up the coloring of this book cover art, I will have to start the whole process over again. And the completion date is fast approaching. But the task needs to be done. So, onward.

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Watercolor washes begin the color process for the book cover illustration.

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Paint to the edges and then let the colors bleed. The basic color palette had already been determined weeks prior to the final execution of the cover art. But once the water and pigment are activated on the surface of the paper, the color palette organically builds to its own organized spontaneity.

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Details. There are always small details that many casual observers may not detect at first glance. For example, the color for the shotgun shell includes multiple wash layers of different pigments — each layer pulling or pushing color from previous layer.

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Once the final art is approved, I finished the design with title bar and a map overlay to texture the collage art.

The pleasure of drawing

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Nearly done with the back cover illustration. A brush is often forgotten in the process of keeping a clean drawing surface.

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Detail of the back cover illustration — a catfish. I have to admit — besides the firewheel flower blossom on the front cover — drawing the catfish was a pleasure.

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Front and back cover pen and ink collage drawing completed. Ready for the next phase — watercolor.

The purpose of drawing

The foundation of a great painting is a solid drawing. At least that was my goal when I worked on this book cover illustration for Orison Books. The collage features a firewheel — sometimes called Indian blanket — blossom, shotgun shell and expansive Texas landscape.

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Nearly completed pen and ink work on the cover.

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Detail of the firewheel flower blossom.

 

 

 

The purpose of thumbnail illustration

The purpose of thumbnail sketches is to advance the concept of artist, art director and editor to a final product. It seems like a lot of busy work, but three elements are essential: brainstorming, mind-mapping and closing the gap. The following images illustrate the process of thumbnail sketches as it relates to a book cover illustration. DSCN3558[sqr-tilt] Three thumbnail cover comps presented to the publisher a couple months back. DSCN3560[sqr-tilt] Full-size book cover sketch to gauge color temperature and composition of elements.

A sneak peek at the office

A sneak peek at the office

The challenge with working outdoors is no internet connectivity and barely a mobile device signal. It makes checking emails and updating social media status and blog posts nearly impossible. But, really, the technological detox is quite rewarding. The contract job orders are … Continue reading

Another day at the office

Another day at the office

The office. Outdoors. Clear skies. For the last couple weeks I’ve been contracted to paint… well, I cannot disclose what I paint at this point. Not where. But it is a beautiful day to paint some art.

Paint until the light fades

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Last Friday night. Using natural light, I worked on an illustration until sunset. Without a formal art studio, the best place to draw with pen and ink and to paint with watercolor is at the east window. As the time grows close to the longest day of the year, this allowed for more time spent doing art work. But when the light fades it is time to switch tasks and clean brushes and pens.

Box of Poetry

A challenge motivates me to think of solutions. In this case, the challenge was inspired by a reader of this blog who commented: “It would be lovely to cover a little box with beautiful words…” Great idea!

After a couple concepts and a couple drafts of what I hope are “beautiful words” here is a custom origami box of poetry. The reward is to watch the user/reader pick up the box and decipher the order of the poem.

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[Front] “Box of poetry”

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[Left flap] “In a land where/the blind lead the/blind/the poets are the seers/the judges/the priests/the relics of a religious/age… It amuses the/people to hear their words/but few convert/and see the word/written/or

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[Right flap] “spoken/on the wings of/pages/on the winds of the east/or across the western/prairie… Spoken to the/scribes and bound into/the souls of the faithful/the few illuminated by a package/of poetry/written on a scrap/of grocery bag/folded into/a cipher and/left on a/window/sill”

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[Back] “this is your box of poetry to light your way in the land of the blind/after reading these lines eat the words and burn the box”

Afternoon work, windows open, listening to Joseph Arthur

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Listening to “It takes a lot of time to live in the moment” by Joseph Arthur while working on an illustration comp for a book cover.

Twenty bucks does not go as far as it used to

Twenty bucks does not go as far as it used to