After a long sabbatical, Hudson and Heather Stillwater return to print in the comic strip “Strange Familiar Place,” a slice-of-life drama. Previously unpublished comic strips of “Strange Familiar Place” are now available in limited distribution in the fall issue of Comic Stroll, a publication of the Southeast Chapter of the National Cartoonist Society (SECNCS).
One of the SECNCS members provided me copies of Comic Stroll on Monday. Later this week, copies will be distributed at the annual SECNCS meeting as well as VA and childrens hospitals in the region.
After a very long hiatus, “Strange Familiar Place” will be back in print. Or at least it will be in a very limited capacity. More details on that later.
The creative non-fiction comic “Strange Familiar Place” first appeared in The Indie. Inspired by the works of Harvey Pekar, Jessica Abel, and Eddie Campbell, I wrote and illustrated “Strange Familiar Place.” Eventually I collaborated with illustrator and comic book artist James E. Lyle on six comic strips.
Comic Stroll, a publication of the local chapter of the National Cartoonist Society, will feature that collection of previously unpublished comic strips. Read the evolution of what started as a couple drawings and became a creative non-fiction comic:
- Comics and Narrative Non-Fiction
- Comics and Narrative Non-Fiction Continued
- Narrative Non-Fiction Comics: part 3
- Narrative Non-Fiction Comics: part 4
- Narrative Non-Fiction Comics: part 5
- Narrative Non-Fiction Comics: UPDATE
- Narrative Non-Fiction Comics: UPDATE
- Strange Familiar Place comic series
More details about Comic Stroll distribution will be made available later.
Something hides in the closet. Below the button down shirts and dress slacks for work, behind the winter wardrobe of sweaters, vests and jackets, and against the back wall is an old black leather portfolio with handles. Years ago it was a mandatory item for any and every graphic design student or young professional with goals of becoming an art director, illustrator or creative director. I pulled out the old portfolio and the oversized heavyweight document envelopes behind it and entered a gateway to another time and place.
Like time travel, I am back in the 1990s. There were three main portfolios I presented. One presentation was corporate, ad agency design samples. The kind of material that ranged from logo design, brand campaigns and the like. The second presentation was print design. That portfolio exhibited all manners of print designs from brochures, books, direct marketing collateral, magazine spreads, cover designs, etc. For presentations, I would rotate the design samples in the black leather portfolio based on the interview. Sometimes I presented a hybrid of both that included work that featured my copyrighting and marketing pieces. But the third portfolio was my favorite–the illustration portfolio.
Professors, peers and even my first art director advised it was the weakest of the three. The general critique was that technique needed improvement. So I kept working on improving technique and execution. A black cloth case bound sketch book always accompanied me almost everywhere I traveled. I’d sketch landscapes, still lifes, portraits and tried various techniques using pencils, Sharpie markers, charcoal, ink and watercolor. But soon I learned that I could earn more financially and find more consistent work with digital designs.
It is not that I abandoned illustration. A few years ago, a national news magazine featured one of my illustrations on the cover of its annual books issue. Earlier this year, another illustration was featured as a book cover design. Also this year, a few spot illustrations were published in a book.
As I look at these old illustrations and sketches, I see a younger, self-doubting me at a time before home computer, internet, or smartphone entered my life. Back in those days, the only entertainment devices I had was a stereo set with a five-CD player, a stack of maybe 30 audio CDs and a shelf full of books. Through the portal of this time capsule, I see the mistakes and accomplishments with a new perspective. Hidden away in that closet is a portfolio of dreams, aspirations and ideas that was slowly replaced with a portfolio of duty and responsibility. A thought occurs to me as I examine an unfinished sketch of a female portrait, did I focus on pursuing a career path rather than a vocation? Maybe that is a thought I should hide in the closet while I bring some of these illustrations into the daylight.
The window is open on a warm late May day and a cool mountain breeze moves the curtains like papery fingers. Occasionally, I glance at the Japanese maple outside or the grape vine wildly clinging to a handmade, crude trellis of found pine limbs….
UPDATE: This blog post is available as part of an audio podcast.
E-book: This blog post will be featured in a forthcoming e-book. More details coming soon.
True Blue quotes artist Vadim Bora.
Woodblock print drying.