Transitive and intransitive

Photo of an illustration in progress taken five years ago.

Most nights I look at this series of drawings and try to remember where I left off. Do I have time to finish a one-page drawing? Or one part of a drawing on a page?  

The project began years ago. The script is incomplete. The character model sheet shifted. A fellow graphic designer called the original drawings “cartoony”. So, I shifted the drawings to something more realistic and representational. But the grammar of it seems confusing.

He sketches. He draws.

He sketches a page a night. He draws cartoony pictures.

Intransitive verbs. Transitive verbs. Is there such thing as transitive art? Intransitive art? Does the artwork transfer action to someone of something? Does artwork use a direct object? Is the artwork a direct object and the action the artist?

He drew. Last night, he drew.

Last night, he drew a cartoon picture. Last night, he drew a cartoon picture for a story he wrote, but did not finish.

This is confusing. English grammar. Transitive verbs. Intransitive verbs.

Tonight, he changed.

Tonight, he changed creative direction. Tonight, he drew a representational picture for a story he wrote .

What is grammar? Grammar is the skill of expanding core principles of any topic. Grammar provides the base for dialectic. Dialectic furnishes the foundation for rhetoric.

Pen transfers ink to paper. Ink forms points and lines. Points and lines for compositions…

Reclaimed illustration paper

As a drawing exercise, I reclaim old illustration paper that has been damaged in some form or fashion. Maybe it was ink or paint that bleed from a top page to the paper underneath. Maybe it is page that I erased pencil lines so many times the paper fibers feather the ink when it is applied. Whatever the case, a couple drawings and the use of my Sakura Pigma Micron pens provide an art exercise.

Pen and ink illustrations

Creating analog art in a digital world

The challenge of creating analog art in a digital world is the only people to see and experience it are those who receive it–who physically hold the Bristol paper with ink illustrations in their hands. It is a great temptation to showcase the art on social media for the ephemeral likes of affirmation and validation. But the experience of sharing art in-person is intimate and memorable.

Is this sentimental? Or wistful desire toward a time and place where people were present and engaged? The value of creating something tangible and shared among family and friends avoids parasocial relationships. The glare of digital praise is alluring, but lonely.

Spot illustration corrections

Charcoal illustration on Bristol paper with corrections on tracing paper

Spot illustration assignment

Charcoal illustration on Bristol paper