The Repository of Neglected Things, published

Why was The Repository of Neglected Things written, illustrated and published?

The idea of this published project began grudgingly.

First, some background. Old sketchbooks, from decades ago, resurfaced when I cleaned the garage a year or so ago. 

“What am I going to do with these?” I asked my wife. 

“Save them,” she answered. 

The cleaning plan was to throw away or sell garage items. Throwing away these large sketchbooks was not an option. And neither was selling them. The black cloth cover hardback sketchbooks varied in sizes. Most of them were nine inches wide by 12 inches high with 96 to 110 pages. Some were smaller. The smallest was four inches wide by six inches high. The largest was 11 inches wide by 14 inches high. 

A navy blue cloth cover hardback sketchbook made its way from the garage to my desk. It measured six inches wide by nine inches high. The little blue book was half full of sketches. Or half empty. As many as 40 blank pages. My wife encouraged me to fill the blue cloth sketchbook with drawings. My children asked me to make more drawings. One of the children requested I storyboard a comic book. Or picture book. Reluctant, I began a few pencil drawings. My wife bought me some brush markers. I added more sketches. Once the blue sketchbook was filled with drawings, I reviewed it. Should I return it to the garage with the other black sketchbooks?

Summer faded to Autumn. A plan formed around the recently filled blue sketchbook. A mission to show my children that they can write and illustrate their own stories, their own books. The goal. Showcase their work in a print publication. A comic book. With creativity and energy they pulled their stories together. They learned about the process of creating a story, illustrating, organizing pages and layout, and basic pre-press tasks. The stories from the children featured one about cats baking muffins and another of a mouse warrior. My contribution to the anthology was selected drawings from the blue sketchbook. The art inside spanned twenty years. A single narrative titled “The Little Blue Sketchbook” tied the drawings together.

Finally, the publication The Repository of Neglected Things arrived. The children celebrated by flipping through the pages. They paused to examine their contributions. They read selections to each other. And then collected copies to send to friends and family. One child asked, “So, when do we publish the next edition?”

Shelter amid cold winter nights

“The first awareness of night was a world of darkness bounded by a streetlight’s glow, the barking of a distant dog, the stars, trees, dim houses. The sense of being enclosed by the night, of being protected, as it were, by the darkness, is ancient.” 

–August Derleth

January. The sun set half past four o’clock. Air temperature registered fifteen degrees Fahrenheit. As wind gusts rocked the automobile from side to side, the windchill felt more like five below zero. Pools of parking lot lights blurred from time to time with blowing snow.

I waited outside the grocery store for the oldest child’s shift to end. In better weather, the child walked to the grocery store. Or rode a scooter. But the long expected Wisconsin winter arrived with a fury. And walking, or riding, to work presented challenges.


The old auto’s engine idled as the heater worked to warm the vehicle’s interior. In spite of the effort, my feet were cold after twenty minutes of waiting in the south part of the parking lot. I wore insulated gloves as I read a library book from the glow of the parking lot lights.

As the heater fan moaned and engine grumbled, I thought of night and darkness and protection. From one of the books in the Sac Prairie Saga, these ideas rose before me like my breath in the winter air. The long nights of winter. The home brightened by Christmas tree lights. The contrast of the light and darkness. Protection and vulnerability. Is it vulnerability? Or destruction? Does not Epiphany land during the longest nights of the astronomical year?

A truck parked in front of my automobile. Head lamps blinded me. I looked away to the store exit until the driver turned off the headlamps and shuffled into the grocery store entrance. My eyes returned to the book and reread the passage. And the a half dozen more pages before a familiar stride passed below the parking lot light nearest me. I welcomed the child into the warm protection of the vehicle and drove home.

The young moon, a waxing crescent, appeared in the southwest like a cold smile. Jupiter, above the right tip of the crescent, glared down upon the frozen fields and village. I recalled not what we talked about on the way home, but the idea of shelter and safety persisted in my thoughts.

Later that night. After supper. After even prayers. I wrestled with an illustration. Measured, composed, and sketched. A world of darkness “bounded” by street lamps? The image of darkness leaping or jumping over glowing spheres of street lamps captivate my thoughts as I inked over the pencil marks on the illustration paper. Pen stroke after pen stroke filled the page until my eyes grew weary. And I surrendered to that ancient enclosure of night.

A poem for the second Sunday of Christmas, January 2, 2022

‘Tis the season of ennui. That American season between the week before Christmas and the week after New Year’s Day. The seasonal binge of activities, food and drink. How do the faithful resist this powerful cultural vortex? For my household, almost all plans were canceled due to health concerns. Whether in my house or in others’ homes, the concern that a scratchy throat, a sneeze, or a cough may be something worse than a seasonal head cold.

Christmas Day. My wife and I woke early and walked through the village at sunrise. The village was quiet. One pickup truck passed by us; heading south. But that was all.

Edmund Spenser’s sonnet Amoretti LXVIII includes the lines: “This joyous day, dear Lord, with joy begin,/And grant that we for whom thou diddest die,/Being with thy dear blood clean wash’d from sin,/May live for ever in felicity.” Christmas Day was quiet and full of joy and gratitude.

I introduced the family to Gian-Carlo Menotti’s 1950 libretto “Amahl and the Night Visitors.” There was quiet resistance. It is not a Disney musical. There are no Marvel comics superheroes. The cast is spare: three kings, a disabled child, and his mother. Yet as the opera unfolded, like all good stories, the children were captivated by the narrative. They laughed. Asked questions, what is happening now? Why are they singing? Are they really kings? And at the tense, comedic, warm, pivotal moment of the libretto King Melchior sings of love alone. That may be the remedy to ennui. Quiet, persistent, patient love.


Excerpt from “Amahl and the Night Visitors”
by Gian-Carlo Menotti

The child we seek
doesn’t need our gold.
On love, on love alone he will build his kingdom.
His pierced hand will hold no scepter.
His haloed head will wear no crown.
His might will not be built on your toil.
Swifter than lightning,

he will soon walk among us.
He will bring us new life,
and receive our death,
and the keys to his city belong to the poor.