Typewriter poetry and blogging — updated

Posted on April 30, 2018 by coffeehousejunkie

A poem for a friend composed on a manual typewriter

At least eight years ago, an old beat up manual typewriter provided a platform to compose poetry and other writings.1 It was an effort to return to an intentional practice of crafting poetry and prose without distraction of disruptive media.

For years and years, a notebook, journal or sketchbook was never far from reach. But one night after a long night of poetry and music at Beanstreets followed by an even longer time of coffee and conversation at Old Europe, a friend convinced me to try blogging.

Sample journal page of poetry

The immediate response to blogging was infections.2 Connecting with people all over the country, sharing writing samples or books read and being part of an active digital community was exciting. And the feedback on written work was quick — sometimes within a couple days or hours. The practice of writing allowed me to hone the craft of creative writing and exposed me to other writers across the country. One of those bloggers actually showed up at a poetry gig I did. She was on a cross-country trip to visit friends and wanted to visit in real life.

Over time, I noticed that my practice of writing notes, daily sketches and other activities had all but disappeared. Relying on keyboards, display screens, hard drives and servers presented became a crutch. My writing drafts and sketches appeared deceptively crisp and final in neatly formatted text documents and web blog interface windows.

So, I pulled the plug. Returned to handwriting and typing as practice.3 Some friends and fellow poets saw a few samples of typewritten work and suggested I post it on my blog. It was a novelty. A curiosity. So, I did.

One of the first photographs of a poem I composed on a typewriter was written for a friend. It was posted about this time of year — in 2011.4 A few days later I followed up with another poem5 that was later read at poetry event where I and other poets were dubbed “the next generation” of Asheville poets.6

I do not claim to be the first person to post an image of a poem typed on a manual typewriter. But I noticed a trend in that direction about a year after posting those images of typed poem sketches.7 Not sure exactly if I started the trend. Probably not. Maybe other like-minded individuals who sought to return an organic practice of handwriting and typing as a mode of composing their visions and ideas.

After relocating to the southern boarder of the Great White North,8 I continued using the manual typewriter as a mode of composing new work — both poetry and prose. Some of this was due to the original intent of the practice — crafting content without distraction of disruptive media. Some of the use of the manual typewriter was due to a period of time that I was without a functional laptop and no internet access. A local writers group saw a lot of typed first drafts from that manual typewriter. One of those typed drafts was later published as a short story.9

Most recent first drafts have all been handwritten if not typed on one — of now two — of the manual typewriters. Blogging. Well, that has atrophied. Maybe I’ll post some photos of typewritten drafts this year as a way to keep the blog active. But, to celebrate an eight year anniversary of analog writing — I’ll keep most of it offline and on paper.10

Keep your stick on the ice and remember to use the lowercase L key when typing the numeral one.

NOTES:
[1] In truth, I composed poems on an electric typewriter prior to that. Did it for decades. Did not own a personal computer until… well, that is another story.
[2] That was when there were a mere couple million web blogs in the world. Now, there are some platforms, like Tumblr, boasting 100 million blogs. The blogosphere has become quite congested.
[3] Examples of some the 30 poems in 30 days journal posts with photos: here, here and here.
[4] April 1, 2011, blog post.
[5] Poem: “Never Look A Doughnut Dealer in the Eyes”
[6] “Rhyme and reason” by Alli Marshall, Mountain Xpress, April 6, 2011. Accessed April 2, 2018. “https://mountainx.com/arts/art-news/040611rhyme-and-reason/”
[7] Examples include Typewriter Poetry (though it seems the web site has not been active since March 19, 2015), Remington Typewriter Poetry (this site too has become inactive with the last entry posted June 2016), and the most popular is Tyler Knott (though his web page has an archive going back to 2003 (which is odd because he uses Tumblr as a platform and Tumblr was launched in early 2007… maybe he migrated his content from some other source to Tumblr… but I digress) the posted images do not begin until 2012 (unless I am mistaken).
[8] A reference to Bob and Doug McKenzie, fictional brothers who hosted the show Great White North (a reference to Canada, aye). For sample episode view Youtube video: https://www.youtube.com/watch?v=0pPRaD6TKLc
[9] Left of the Lake published “Mortal Coil” in 2015. https://coffeehousejunkie.net/2015/08/31/publication-of-mortal-coil/
[10] Original post published on April 21, 2015 https://coffeehousejunkie.net/2015/04/21/typewriter-poetry-and-blogging/

National Poetry Month, weekend edition, part three

Posted on April 28, 2018 by coffeehousejunkie

National Poetry Month is nearly at an end. One poet, Ann E. Michael, mentioned that she participated in this year’s National Poetry Month “by reading more than by writing.”[1] I agree with that sentiment.

One book I have been reading is a bilingual collection of poems by Anna Akhmatova. The modernist approach Akhmatova displayed in a Russian poem about an English play — Hamlet — amuses me. The line that gets me every time I read it is: “It was the sort of thing that princes always say.”

For people who do not know that they may actually like poetry, I like how Dick Allen put it in this blog post:
“Think of books of poetry the way you think of music CDs. A CD may have 12-15 songs on it. A small book of poetry may have 30-50 poems in it. Just as good songs will be played over, so good poems will be read over and over.”[2]

Following the thread of these two poets, I have read and reread some poetry books. A few favorite poems are on my repeat playlist. This poem by Akhmatova. Another poem by Han Shan. A couple poems by Li-young Lee from his book The City in Which I love You. A poem by Tu Fu.

In Sam Hamill’s notes regarding his translation of a Tu Fu poem he wrote about the mingled joy and deep resignation expressed in the work. “What is implied in the original, . . . is the notion that somehow, . . . he will not waste away sitting before the wine jug. . . . [Tu Fu] asks the question every poet asks under such circumstances: Why do we do it?”

Indeed. Why do we do it? My reply is to continue the Great Conversation.

NOTES:

[1] Poetry books & the $

[2] 13 Ways to Support Poetry

Poem Sixteen: Honey Bee

Posted on April 27, 2018 by coffeehousejunkie

NOTE: Originally published April 19, 2011, https://coffeehousejunkie.net/2011/04/19/poem-the-honey-bee/

Poem Fifteen: Late Night Writing

Posted on April 26, 2018 by coffeehousejunkie

Title poem by Matthew Mulder from the book Late Night Writing.

Poem Fourteen: Sunrises I and III

Posted on April 25, 2018 by coffeehousejunkie

Poem Thirteen: Reading “The American Zen Master” by Dick Allen

Posted on April 24, 2018 by coffeehousejunkie

Poetry reading list for National Poetry Month, part four

Posted on April 23, 2018 by coffeehousejunkie

Beanstreet coffeehouse, July 2005

Our paths first met at open mic night at Beanstreet café during a time of national crisis and local transition. The aftermath of 9/11 brought a lot of poets and singer songwriters to open mics for reasons of catharsis and later to protest.

But Barbie Angell[1] brought something different to the Beanstreet musicians and poets. Part Dorothy Parker, part Shel Silverstein, Barbie Angell became a regular favorite of scene and a poetic force.

We first met around the time my book Late Night Writing[2] was published. I was working hard on new material and trying it out on the open mic crowd. We exchanged a few conversations and notes at that time and then we lost track of each other for a couple years.

Beanstreet dramatically closed. The poetry scene was adrift for awhile. Eventually the Courtyard Gallery off Walnut Street filled the space. And that is where Barbie and I reconnected. From those late nights at the Courtyard Gallery open mics until my departure from Asheville, we spent a lot of time sharing poetry, discussing literary world domination, challenging and encouraging each other about all things regarding a poets life.

Roasting Questions,[3] her collection of poems and illustrations, was released a few years ago. We talked much about that publication and the supporting book tour.

Though our poetic styles were different we still sought to encourage one another toward success.

There was one night I remember in particular. Two different events were going on in Asheville and she was to read poetry at one while I read at another. She picked me up at my house, drove downtown, and after the separate events we met up at Sazerac for refreshments. We talked about the night’s events, avoided how jealous we were of the others’ success and then she drove me back home. That is what friends do.

That is a glimpse into the story behind this short poem. With friends like Barbie, you have the strength to walk further, to try harder, and to be better.[4]

NOTES:

[1] Read all about Barbie Angell: http://www.barbieangell.com/about-barbie-angell/

[2] Late Night Writing is still available in print. Contact me for details. Or you can purchase an e-book version here: https://www.amazon.com/Late-Night-Writing-Matthew-Mulder/dp/1932852204

[3] Find out more about Barbie’s book, Roasting Questions: http://www.barbieangell.com/roasting-questions/
[4] Originally published May 4, 2017 https://coffeehousejunkie.net/2017/05/04/poetry-reading-list-for-national-poetry-month-part-three/