The Repository of Neglected Things, published

Why was The Repository of Neglected Things written, illustrated and published?

The idea of this published project began grudgingly.

First, some background. Old sketchbooks, from decades ago, resurfaced when I cleaned the garage a year or so ago. 

“What am I going to do with these?” I asked my wife. 

“Save them,” she answered. 

The cleaning plan was to throw away or sell garage items. Throwing away these large sketchbooks was not an option. And neither was selling them. The black cloth cover hardback sketchbooks varied in sizes. Most of them were nine inches wide by 12 inches high with 96 to 110 pages. Some were smaller. The smallest was four inches wide by six inches high. The largest was 11 inches wide by 14 inches high. 

A navy blue cloth cover hardback sketchbook made its way from the garage to my desk. It measured six inches wide by nine inches high. The little blue book was half full of sketches. Or half empty. As many as 40 blank pages. My wife encouraged me to fill the blue cloth sketchbook with drawings. My children asked me to make more drawings. One of the children requested I storyboard a comic book. Or picture book. Reluctant, I began a few pencil drawings. My wife bought me some brush markers. I added more sketches. Once the blue sketchbook was filled with drawings, I reviewed it. Should I return it to the garage with the other black sketchbooks?

Summer faded to Autumn. A plan formed around the recently filled blue sketchbook. A mission to show my children that they can write and illustrate their own stories, their own books. The goal. Showcase their work in a print publication. A comic book. With creativity and energy they pulled their stories together. They learned about the process of creating a story, illustrating, organizing pages and layout, and basic pre-press tasks. The stories from the children featured one about cats baking muffins and another of a mouse warrior. My contribution to the anthology was selected drawings from the blue sketchbook. The art inside spanned twenty years. A single narrative titled “The Little Blue Sketchbook” tied the drawings together.

Finally, the publication The Repository of Neglected Things arrived. The children celebrated by flipping through the pages. They paused to examine their contributions. They read selections to each other. And then collected copies to send to friends and family. One child asked, “So, when do we publish the next edition?”

Forthcoming publication – Mortal Coil

 

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Received notification earlier this month that a piece I wrote earned second place in a writing contest. It will be published in the August 2015 issue.

The contest judge is a faculty member at Columbia College Chicago. So, the acceptance of the prose piece submitted seems to have some merit. Or at least that is what I try to convince myself, because all month I have received notification of other submissions that have all been rejected.

Much gratitude goes to the members of the writers group that meets at the Graham Public Library who saw the first handwritten draft of the story. Their support has been amazing. And special thanks to novelist Justin Grimbol, for encouraging me in the craft of fiction.

Keep calm and write something

Back in January I submitted more than 50 poems to various publishers. So, how many poems have been accepted? or rejected? More on that later….

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UPDATE: This blog post is available as part of an audio podcast.

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E-book: How long does it take to write a haiku?: and other stories

Purchase the e-book Kindle Edition for $0.99!

What do you think about when you see a stack of books? In this short collection of stories you will also learn what a creative director thinks of when he sees a stack of books. Who is the audience for your poems? Is possible to write in your sleep, or not?

Do you submit poetry for publication?

 

So, you write poems. Maybe you read your poems at a local bookstore, music venue or coffeeshop at a monthly or weekly open mic. And maybe you even sign up for a writing workshop and the teacher hosts a public reading at a fine art center or library at the conclusion of the course. But do you submit your poetry for publication?

Last month I submitted over 50 poems for publication. So far I’ve receive quite a few reject letters. Some replies were so quick I wonder if the editor read the submission. A week after I submitted poems to one editor I received this:

“I enjoyed reading your poems but I’m unable to use them…”

A day later I received this from a different editor:

“Thank you for your recent submission…. This group of poems wasn’t right for us, but we’re grateful for the opportunity to consider your work…”

These replies are courteous, non-confrontational and sterile. Last weekend I received my favorite rejection letter so far. It reads,

“We sincerely appreciate your interest … and are very glad you are getting your pieces published….  we wish you the best of luck in your continued writing. Never give up on what your high school literature teacher told you!”

Why do I like that rejection letter? Here’s three reasons:

  1. The editor actually read the cover letter. Not just the first few lines of the cover letter, but all the way to the third paragraph. You see, buried in the third paragraph of my cover letter is an homage to an inspirational high school literature teacher.
  2. Clearly it is not an automated reply to a submission for publication.
  3. The way the letter is crafted is a sandwich. By that I mean, the letter opens positively, nicely rejects the submission with two reasons and concludes with a personal and positive note.

Literary journal editors should take note of this rejection letter. It is a good model to follow.

If you submit your poetry for publication, I am interested to learn how it is going for you. If you don’t submit your poems for publication, I’d like to know why.

50 poems in 30 days

Over two months of writing a poem a day

Photo courtesy of coffeehousejunkie.

More than 50 poems were sent to publishers in January. Encouraged by another poet who submits somewhere in the neighborhood of 60 poems a month, I thought it would be a good discipline as well. It’s exhausting as well.

A few years ago, I was encourage not to post my poems on this blog (or Facebook), because a lot of small press publishers consider those poems “published.” So, I’ve been writing offline and sharing the new poems at private salons, a poetry festival and with friends. But I have not pursued publication until this year.

Talking with Al Maginnes after his recent reading at Malaprop’s, he told me how is first poetry submission was accepted immediately. Encouraged by this, he submitted more poetry to publishers. He said it was years before anything else was published.

So far, two publishers replied with rejection notices. That’s alright. I will submit those poems to other publishers.

How long should one wait on editors?

While I wait for editors to reply to my narrative non-fiction submissions, I grow impatient and want to post these writings on this blog. Some teasers like Shuffling through the ruins of a summer and Ma Rainey, don’t sing them blues no more were released. One astute reader provoked this post: Yes, it is true. But on the advice of published writers, I can’t post much more without jeopardizing publication. So, I wait. Keep writing. And reading. This weekend one blogger reminded me of OctPoWriMo–31 poems/31 days. This seems to me like a good exercise to do while I wait on editors.