Old, New, Borrowed and Blue

How does a poet select poems to read at a poetry marathon? I have been asking myself and my wife that question all week. Tomorrow is the annual poetry marathon at Woodland Pattern Book Center in Milwaukee. Something like 150 poets will be at the all-day event.

As I peruse a collection of publications I am a little startled to realize that there is a decade or more of work published in various journals and reviews.[1] Some of the publications are regional to North Carolina while others are national.

My work does not have a lot of Milwaukee-area credentials and I am not well-known to this region (forthcoming work is to be published by a Milwaukee publisher). Even so, I feel like an outsider at the Woodland Pattern poetry community. This is familiar territory.[2]

During a conversation with my wife this week an idea formed. Selecting poems based on the wedding adage was the plan: something old, something new, something borrowed, something blue. This developed into an engaging exercise of finding poems to fit that motif. Looking forward to sharing the results tomorrow night — between 9 and 10 p.m. — at Woodland Pattern Book Center.

NOTES
[1] A SHORT LIST OF SEVEN PUBLISHED POEMS:”Saturday Night, Coffee House,” Rapid River, 2004; “Reading ‘My American Body’ by W. K. Buckley,” Rapid River, 2005; “Narrative Kernel,” Rapid River, 2005; “Last Bus,” H_NGM_N, 2005; “The Last American Chestnut Tree,” The Blotter, 2006; “Loneliness Visits,” .ISM Quarterly, 2006; “Last Night at the New French Bar,” Crab Creek Review, 2010
[2] A good friend and poet, Barbie Angell, once told me that I am on the cusp as far as a poet and writer is concerned. Meaning, that I am on the border or threshold of the academic (published) poetry scene and the street (unpublished) poetry scene. So, being a stranger to the Milwaukee poetry scene is familiar place for me.

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