
Here’s how to make a handmade mini book in eight steps (and a published author/book artist in 10 steps).

Last night I picked up some art supplies downtown. The staff at True Blue is not only helpful, but offered me a cup of water after I coughed a couple of times. For some reason the pollen this year is especially irritating to my throat. It’s not often that staff voluntarily offer a cup of water to store customers, and that kind of service is why I plan to return often.
Being downtown, I couldn’t resist dropping by Malaprop’s for a visit to one of my favorite booksellers. Wandering through the book aisles I came across two book titles that caught my attention. The first book is by Thomas Merton, New Seeds of Contemplation. I haven’t read much of Merton’s writings. But as I was flipping through pages of New Seeds my eyes fell upon the following passage:
If I am supposed to hoe a garden or make a table, then I will be obeying God if I am true to the task I am performing. To do the work carefully and well, with love and respect for the nature of my task and with due attention to its purpose, is to unite myself to God’s will in my work. In this way I become His instrument.
The work ethics idea in this passage seems so foreign in today’s culture that it caused me to stand, shifting my weight from one foot to the other, and ponder the question: am I true to the task I am performing? However menial the task, do I accomplish tasks with due attention to its purpose?
The other book that caught my attention while I walked through the book aisles at Malaprop’s is The Poetics of Space by Gaston Bachelard. Here’s a passage that arrested my attention:
And whereas philosophical reflection applied to scientific thinking elaborated over a long period of time requires any new idea to become integrated in a body of tested ideas, even though this body of ideas be subjected to profound change by the new idea (as is the case in all revolutions of contemporary science), the philosophy of poetry must acknowledge that the poetic act has no past, at least no recent past, in which its preparation an appearance could be followed.
This took me a couple of readings to unpack the idea in this passage, and I’m not sure if I agree with it or disagree with it. My initial thought is not to agree with it simply on the basis that there is nothing new under the sun. However, counterpoint to my initial thought is a recollection of Jane Hirshfield’s thoughts on creativity and originality in poetry.
I wish I could have purchased these books last night, but I spent my money at True Blue and will have to wait until new funds arrive to purchase these titles.

I used a new & an old sharpie marker… it’s a technique i learned in school… a sharpie marker that is expiring provides a charcoal impression…

along with those old fountain pens i found some old sketch books from university days… here’s a sketch from the 90s…

“peace on earth,” a limited edition woodblock print/greeting card
the three-color block print art is based on a drawing by an eight year old. it’s part is a limited printing of 15. each card is numbered. these limited editions are printed on paper good enough to frame.

woodblock prints/greeting cards
i transposed a drawing by an eight year old child into woodblock prints. typography designed by the child… all other mistakes are mine.

“christmas night,” a limited edition woodblock print/greeting card
the two-color block print art is based on a drawing of one of the kidlingers. it’s part is a limited printing of 17. each card is numbered. if you receive one of these limited editions it is printed on paper good enough to frame (if you so desired).

diy woodblock prints/greeting cards
i transposed a drawing by a four year old child into a two-color print.
this nice thing about using acrylic paint (instead of traditional ink) is that it drys quick.

woodblock printing on a budget… or diy woodblock printing.
i dug out some old art supplies & a few scraps of 2”x4” wood to create a limited printing holiday greeting card series.
the art for the print is my translation of a drawing by one of the kidlingers.
For years have pushed art making away from me. Partly due to lack of space and consolidating my paintings into small sketchbooks. Then I replaced paint for pen and ink, and drew smaller images into Moleskines until my drawings disappeared into lines of characters trying to form poems…
Now, I want to start painting again…
(Image source via creativeinspiration: 472239364: artpixie: love letters and skypaints: http://www.flickr.com/photos/tinycastles/3912498882/)


(via Room 116) Link
From 43 Folders:
[Chuck] Close talks about evolving his method of working to overcome his own personality.
“I’m a nervous wreck. I’m a slob. I have no patience. And I’m rather lazy. All those things would seem to guarantee that I would not make work like I make. But I didn’t want to just go with my nature.”
So instead of painting overwrought, expressive things when the mood struck, he committed to making his epic, close-up portraits by breaking the work into tiny pieces and hewing to a grid. Not only did the grid make technical sense, it forced a lifehack on Close that would help him deal with his own tendencies. It helped get the work done…
Link.