Free public readings at Warren Wilson College

The last few years I’ve taken advantage of the free public readings by guest poets and writers at the MFA Program for Writers at Warren Wilson College. It’s free and open to the general public.

A few years ago I heard Marianne Boruch present a lecture discussing ars poetica in contemporary and American poetry. It opened my eyes to the poetic process. Another year I heard a poet deliver a lecture for the MFA Program for Writers at Warren Wilson College and then, months later, discovered an essay based on that lecture printed in a notable literary journal. I thought to myself, I heard it first before it made print!

One evening [1] I heard Mark Jarman, Stephen Dobyns and Percival Everett read new and or forthcoming work. And yet another time, I heard a lecture by Maurice Manning [2] that continues to haunt me. I think back to some of the other notable readings, [3] notable to me at least, and chart the influence [4] of some poets in my work.

One poet who was a regular guest of the MFA Program for Writers at Warren Wilson College was Steve Orlen. He passed away recently [5] [6] [7] and I’ll miss hearing him read “I Love You. Who Are You?”? [8]

What I find amusing is that the public readings don’t attract larger crowds. Maybe this is one of Asheville’s best kept secrets.

[1] The MFA Program for Writers at Warren Wilson College public readings — Winter 2007 [2] The MFA Program for Writers at Warren Wilson College public readings — Winter 2008 [3] The MFA Program for Writers at Warren Wilson College public readings — Winter 2008 [4] The MFA Program for Writers at Warren Wilson College public readings — Summer 2010 [5] Arizona Daily Star [6] Best American Poetry Blog [7] Laura Hope-Gill’s Tweet [8] Anthologized in Best American Poetry 2005

The MFA Program for Writers at Warren Wilson College Public Reading Schedule – Winter 2011

Twice a year, the MFA Program for Writers at Warren Wilson College offers public readings by guest lecturers and graduating students. Here’s the schedule for this year (as posted on their web site):

Monday, January 3, 8:00pm – in Gladfelter, Canon Lounge
Antonya Nelson, Dana Levin, Patrick Somerville, Maurice Manning

Tuesday, January 4, 8:15pm – Fellowship Hall behind the Chapel
Rick Barot, Michael Parker, Eleanor Wilner, Megan Staffel

Wednesday, January 5, 8:15pm – Fellowship Hall behind the Chapel
Dean Bakopoulos, Martha Rhodes, Alix Ohlin, Ellen Bryant Voigt

Thursday, January 6, 8:15pm – Fellowship Hall behind the Chapel
Brooks Haxton, Karen Brennan, Alan Shapiro, Stacey D’Erasmo

Friday, January 7, 8:15pm – Fellowship Hall behind the Chapel
Debra Allbery, Liam Callanan, Jennifer Grotz, C.J. Hribal

Saturday, January 8, 6:00pm – “Fastest Readings in the World” with MFA Faculty at  Malaprop’s Bookstore/Cafe, 55 Haywood Street, Asheville.

Sunday, January 9, 8:15pm – in Gladfelter, Canon Lounge
Marianne Boruch, David Haynes, C. Dale Young, Kevin McIlvoy

Monday, January 10, 8:15pm – Fellowship Hall behind the Chapel
Graduating fiction student readings: Zoe Lasden-Lyman, Scott Nadelson, Brian Tai

Tuesday, January 11, 8:15pm – Fellowship Hall behind the Chapel
Graduating poetry student readings: Leslie Contreras Schwartz, RJ Gibson, Jenny Johnson, Glenis Redmond

Wednesday, January 12  –  4:30pm, followed by Graduation Ceremony
Graduating student readings:  Diana Lueptow, Nathan Poole, Andy Young

Public Lecture Schedule for The MFA for Writers at Warren Wilson College – Winter 2011

In the past, I’ve enjoyed lectures from notable poets like Marianne Boruch and Maurice Manning. This year the MFA Program for Writers at Warren Wilson College offers public readings by the following guest lecturers:

All lectures will be held in the Fellowship Hall behind the Chapel unless indicated otherwise.

Tuesday, January 4
MARIANNE BORUCH:  The End Inside It
11:15am

Wednesday, January 5
KEVIN McILVOY: Sentencing & Summoning: Reflections on the Sentence and the Poetic Line
9:30am

Wednesday, January 5
ALAN SHAPIRO:  Technique of Empathy: Free Indirect Style in Poetry
10:45am

Friday, January 7
MICHAEL PARKER:  Transvestite Hermaphrobite: All Hail the Semi-Colon
9:30am

Tuesday, January 11
STACEY D’ERASMO:  On the Unsayable
9:30am

Tuesday, January 11
RICK BAROT:  The Sea and the Zebra: Visual Effects in Poems
10:45am

Wednesday, January 12
DEAN BAKOPOULOS: Hot Dog Station!  Show Show Show!: Expressionism, Exclamations, and the Lyricism of Upheaval
10:00am

Wednesday, January 12
MAURICE MANNING: Place and the Composition of Poetic Self
11:15am

So yeah, I think the TV interview went well

That is, until the interviewer realized I wasn’t Viggo [1] Mortensen [2]. The irony is that I don’t have a television and haven’t for years. And cable. Well, I think maybe I had cable service about a decade ago to watch the Olympics. So I was a bit embarrassed when the interviewer asked me if I had seen her show.

What the interviewer found fascinating is that the event I helped organize with two other people was promoted exclusively through social media and word of mouth. Most people who manage events work up a press release and send it to local print, radio, and television outlets. And in turn, local newspapers, radio and television stations pick up local entertainment news and add it to the calendar of events to fill in programming space. But that’s not how three people on a September afternoon began to plan an event.

Three weeks after that September afternoon, sixty people attended an invite-only poetry reading, book-signing and jazz show on a Friday night with almost no coverage [3] by the Mountain Xpress or Asheville Citizen-Times. The event was so far under the radar that it didn’t garner a mention on Ashvegas’s Asheville Hot Sheet [4]. To be honest, at the time I didn’t know if an event publicized exclusively through Twitter and Facebook and word-of-mouth would work. But it did. And I guess that’s why I was invited to a television interview regarding that event.

One comment made during the taping of the interview hasn’t left me. I don’t recall who said it, but someone observed that if poets watched a lot of television there would be less poetry in the world. Television has been around for at least 85 years. Most people reading this have grown up with access to television. This means most of you — specifically Gen-X and younger — grew up in a mass media culture. Interestingly, less than 60 years ago, the poet T.S. Eliot packed an university gymnasium with 15,000 people [5] to hear him lecture about literary criticism. Not exactly what you might call primetime broadcast material. At the time Eliot delivered his lecture, the average American earned a salary of $5300. A car cost $2100. A color television set cost between $500 to $1000 and a gallon of gasoline cost $0.30. [6] Cable television was on the horizon [7], but like network television it was only just becoming accessible to most Americans.

Now, an average gallon of gasoline costs $2.81. The average annual salary is $42,000. [8] And it seems ironic that now a cable television program may be making poetry more accessible to Americans. [9]

[1] Poet, painter and, oh, yeah, an actor. [2] He founded Perceval Press to publish his own books and CDs as well as other artist, poets, musicians and photographers. [3] Full disclosure, Mountain Xpress Blogwire did mention the event twice, but it’s not quite the same as opening a copy of Mountain Xpress on a Wednesday afternoon and reading a nice piece by Alli Marshall or one of the other writers covering Asheville’s vibrant entertainment scene. [4] There is always a lot of entertainment going on in Asheville. So I don’t fault Ashvegas for neglecting to mention an event that was not publicized in the traditional manner on the Asheville Hot Sheet. Maybe the event might get a mention if Dehlia Low or the Avett Brothers were part of it.  [5] Is there a poet alive today that could lecture about literary criticism and pack out a gymnasium?. [6] When I look through the television history archives, I can help thinking that a lot of those old television screens were not much larger than an iPhone screen. [7] Now that there is Netflix, will that be the end of cable television? [8] I wonder if the average American salary includes under-employed and unemployed Americans? [9] Estimated viewership of local cable television ranges between 150,000 to 180,000.

View of Asheville from the Roof Garden

The sun is setting. The full moon is rising. The room is set up for tonight’s poetry reading and jazz show. The dark mocha stout cupcakes with…

Rooftop Poets party tonight, 8 p.m.

The Rooftop Poets event has begun

Rooftop Poets Event Program

Rooftop Poets: the doors are open

Battery Park Hotel

It’s 7:30PM! The doors are open and guests are arriving outside the Battery Park Hotel. Time to make my way to the Roof Garden.

Rooftop Poets party tonight, 8 p.m.

View of Asheville from the Roof Garden

The sun is setting. The full moon is rising. The room is set up for tonight’s poetry reading and jazz show. The dark mocha stout cupcakes with Bailey’s frosting look tasty. The supremo chocolate rum balls look like they could break several Prohibition-era laws. Time to get ready for the show.

The doors open at 7:30PM and the event begins at 8PM. Tickets are $10 each. Guests arriving at the Battery Park Hotel will be let in by a doorman who will have your name on a guest list.

See you all in less than two hours!

Poetry at the Roof Garden

Roof Garden Ballroom

Time to set up the Roof Garden of the Battery Park Hotel for tonight’s Prohibition-era poetry reading and jazz show.

More event details are here: link.

Poetry and Jazz at the Roof Garden

Battery Park Hotel: Roof Garden

In September an idea was born to hold a poetry reading under a full moon at the Roof Garden of the Battery Park Hotel. Tonight is the culmination of that idea.

Few people have access to the Roof Garden. Join the Rooftop Poets for a fine evening of poems, songs and full-moon revelry. Doors open at 7:30PM and the event begins at 8PM. Tickets are $10 each. Guests arriving at the Battery Park Hotel will be let in by a doorman who will have your name on a guest list. If you’re not on the guest list, you have to ask yourself, why not?

Tonight’s Rooftop Poets

Historic Battery Park Hotel

After some homemade latte and a walk through Asheville’s autumn splendor, I’ll wrap a couple last minute details and then head downtown to the Battery Park Hotel.

For tonight’s event, the doors open at 7:30PM and the event begins at 8PM. Tickets are $10 each. Guests arriving at the Battery Park Hotel will be let in by a doorman who will have your name on a guest list.

Tonight: Rooftop Poets: with music by Vendetta Creme and Aaron Price

Listen to music samples of Vendetta Creme, the featured musical guests for the Roof Garden event. The doors open and the band starts playing at 7:30 p.m. The poetry reading begins at 8 p.m.

A poetry reading and jazz show on the Roof Garden of the Battery Park Hotel

Rooftop Poets
Barbara Gravelle, Matthew Mulder, Brian Sneeden
with music by Vendetta Creme & Aaron Price
1 Battle Square, Asheville, North Carolina
Friday, October 22 · 8:00pm – until
doors open at 7:30pm — event begins at 8:00pm

In celebration of the publication of Barbara Gravelle’s latest book, Poet on the Roof of the World, join the Rooftop Poets under a full moon on the Roof Garden of the Battery Park Hotel for a Prohibition-era poetry reading, book-signing and jazz show.

Local poets Barbara Gravelle, Matthew Mulder and Brian Sneeden will perform alongside the French jazz music sensations Vendetta Creme and Aaron Price at the Roof Garden of the illustrious Battery Park Hotel.

Tickets are $10 and include a signed and numbered, limited-edition, 64-page book of poems featuring the work of all three poets, as well as complimentary light refreshments and hors d’oeuvres.

Few people have access to the Battery Park Hotel’s Roof Garden. Join us for a fine evening of poems, songs and full-moon revelry.

Space is limited. Reserve your tickets today by emailing: info@coffeehousejunkie.com

The evening’s cast of characters include:

Barbara Gravelle, author of several poetry books including, Keepsake, Dancing the Naked Dance of Love, and her latest collection of poems, Poet on the Roof of the World.

Matthew Mulder, one of the original members of the Traveling Bonfires, his poetry and prose have appeared or are forthcoming in Crab Creek Review, Small Press Review, The Indie, H_NGM_N, and other publications.

Brian Sneeden has produced, designed or written for more than a hundred theatrical performances. He is the current director and MC of Asheville Vaudeville.

Cabaret singer Vendetta Creme (aka Kelly Barrow) and Aaron Price (piano, guitar) perform lesser-known songs from yesteryear. This duo scour the globe for their songs including material from five continents weaved into a seamless, unforgettable show.

Two questions on a Monday afternoon

 

Historic Battery Park Apartments, Asheville, North Carolina
Battery Park Apartments

 

  1. How many of you have seen Asheville from the Garden Roof of the historic Battery Park Apartments?
  2. How many of you would like to see Asheville from the Garden Roof of the historic Battery Park Apartments?

Poetry at the Pulp presents feature poet Landon Godfrey

About a month ago I visited the Orange Peel’s private club PULP for an open mic event. The event featured Keith Flynn and the Holy Men followed by an open mic. This weekend I read on the Asheville Poetry Review Facebook page:

POETRY AT THE PULP open mic night on Wednesday, October 6 at 7pm. Sponsored by Wordfest and The Asheville Poetry Review. Feature poet: Landon Godfrey, whose book of poems, “Second-Skin Rhinestone-Spangled Nude Soufflé Chiffon Gown,” selected by David St. John for the Cider Press book award, will be published February 2011. Come join us and share your work with one of the best crowds in Asheville. The Pulp is located underneath The Orange Peel on Biltmore Avenue. See you there!

If you are unfamiliar with Landon’s work, I recorded on of her readings at the Flood Reading Series, Sunday March 29, 2009. Should be another fine evening at PULP tomorrow night. I look forward to seeing you there.

* * *

[scene one]

Asheville may be the only place I know that can turn a hula hoops event into something slightly tamer than pole dancing. Walking to the Transit Center earlier this week, I observed quite a large crowd of people with hula hoops at Pritchard Park. A deejay whipped up some trance vibes and the crowd responded with hips and hoops. For the most part, the event seemed quite family friendly with the exception of a few women whose performance with hula hoops approached the idea of *ahem* public art.

[scene two]

The next evening I walked along Patton Avenue — again heading toward the Transit Center. A guy leaning on the rail outside the Asheville Yacht Club with a Pabst Blue Ribbon can in his right hand stared across the street as if watching a tired rerun of That 70s Show. I didn’t think much of it. Maybe he had a lousy day and was trying to unwind. Maybe he was waiting for someone to join him and was just killing time. When the signal lamp changed I crossed the street and realized that the guy outside the Asheville Yacht Club was watching two young women making out at one of the tables on the street outside Thirsty Monk’s Pub. Who needs a television? or an iPhone? Just grab a seat at the rail outside the Asheville Yacht Club, order a PBR, and watch the wildlife at Thirsty Monk’s Pub. The whole scene made me feel oddly lugubrious.

[scene three]

Thursday morning the sunrise bruised the sky with purple and red clouds. The air echoed its coolness and as I walked from the bus stop to Starbucks. After purchasing a pumpkin muffin and a tall bold coffee, I walked across the parking lot toward the office. I noticed a car with all its windows open about an inch or so. It seemed trashed. Piles of plastic bags with clothes, stuffed toys, fast food restaurant bags, and shoes cluttered the interior of the car and seemed to reach the window. As I bit off a morsel of muffin I realized, at second glance, that a woman, man and child were sleeping in the car. What appeared to be plastic bags were black sleeping bags that were unzipped and pulled up to their necks like quilts. The woman was in the driver’s seat with the seat reclined back as fast is it will go. The man was sleeping on his right side facing the woman. His seat was also reclined, but not as much as the woman’s. The child slept in an a car seat with a dark blanket pulled up to the neck. I paused, but thought a third glance would be wrong and might wake them.

The sun still hid behind the mountains to the east as I finished eating the muffin while standing in the parking lot. They’re story must be interesting, I thought to myself as I stuffed the paper muffin wrapping in my pocket. It was still early. No one was in the office yet. I hesitated for a few seconds, looked back at the car in the parking lot with a sleeping family, took a sip of coffee and walked up the steps to the office.

Comic strip artist Michael Jantze and Julie Negron in #AVL this weekend

SECNCS ShopTalk Flier
Cartoonist/Illustrator ShopTalk on September 11, 2010

National Cartoonists Society members Michael Jantze, artist of the comic strip The NORM, and Julie Negron, artist of the comic strip Jenny the Military Spouse, to be featured at the Southeast Chapter of the National Cartoonists Society present a “Shop Talk” this Saturday, September 11, 2010.

The Cartoonist and Illustrator Shop Talk schedule is as follows:

10am – 11am Shane “Shane Hai” Harris and James E. Lyle (comic book artists) present an inking demonstration combined with a brief history of American comic books.

11am – 12 noon Michael Jantze (syndicated cartoonist and instructor at SCAD) speaking on his career as a cartoonist.

Noon – 1pm Portfolio review for the attendees.

1pm – 2:00 pm Julie Negron speaks about “Jenny and 9/11”.

2:00 pm – 3:00 pm Matt Mulder (New Media) moderates a round-table discussion on web-media, featuring the scheduled speakers.

3:00pm – 4:00 pm Kaysha Siemens (Illustrator) demonstrates digital painting techniques.

Hope to see you all at the Skyland/South Buncombe Library this weekend!

Southeast Chapter of the National Cartoonists Society presents Michael Jantze and Julie Negron

SECNCS ShopTalk Flier
Cartoonist/Illustrator ShopTalk on September 11, 2010

Yes, you did read Monday’s Citizen-times correctly. I am scheduled to moderate a round table on new media as it relates to cartoonists, comic book artists and illustrators. Some of the topics I hope to cover during the round table include: Is it a good business model to create cartoons/comic books for iPads (and other digital devices)? Does online cartoons/comic devalue the art form? Is it possible to protect your cartoons/comics from online piracy? What is the future of collecting traditional print comics vs. downloading digital comics?

This Saturday, September 11th, the Southeast Chapter of the National Cartoonists Society presents a “Shop Talk” at the Skyland/South Buncombe Library (260 Overlook Road, Asheville, NC).  The program will run from 10 am until 4 pm.

Also, if you’re interested, the Southeast Chapter of the National Cartoonists Society meets monthly at Frank’s Roman Pizza. The meet up is open to all interested parties and all ages. Regulars include teens, twenty-somethings, thirty-sometings and older-somethings. If you’re interested in hang out with local artists feel free to contact me.

Saturday’s event features two members of the National Cartoonists Society: Michael Jantze (artist of the comic strip The NORM, and instructor at Savannah College of Art and Design), and Julie Negron (artist of the comic strip Jenny the Military Spouse for Stars and Stripes magazine).

More ShopTalk details and schedule to be presented soon.

Link: The Western North Carolina cartoonists group presents ‘Shop Talk II’

Michael Jantze, comic strip artist of The NORM, coming to Asheville

SECNCS ShopTalk Flier

Southeast Chapter of the National Cartoonists Society usually meets on the first Tuesday of every month. On Saturday, September 11, 2010 the Southeast Chapter of the National Cartoonists Society present a “Shop Talk” at the Skyland/South Buncombe Library (260 Overlook Road, Asheville, NC).  The program will run from 10 am until 4 pm.

More details to be provided later.

5 notes from the lecture “The Excess of Poetry”

James Longenbach presented a lecture titled “The Excess of Poetry” at the Warren Wilson College MFA program for writers this morning. Here’s a few of the notes I wrote:

  1. The act of writing is itself an excess.
  2. What matters in the Pisan Cantos is not the information provided but the tone.
  3. Our minds are strategically selective. We manage excess by focusing on some things while ignoring others.
  4. The Pisan Cantos are organized by tone: elegiac, colloquial, haranguing and reverence.
  5. What writer does not compose him/herself out of nothing?

There are more notes I wrote, but they are a bit scramble. Longenbach presented poems by Keats, Dickinson and Pound as way to explore the “fine excess” of poetry.

Free author readings and lectures

The Warren Wilson College MFA program for writers provides free readings and lectures to the public. The first reading begins tomorrow night. The reading schedule is posted on their web site (link). I plan on attending as many as I am able. However, a passage from one of Günter Grass’s novels makes me wonder about the validity of creative writing programs.

Here unpolished literary attempts were read aloud and critiqued…. based on the American notion of teaching creative writing. (Crabwalk, Chapter 2)

Last night I stood in a bookstore transfixed

Last night I picked up some art supplies downtown. The staff at True Blue is not only helpful, but offered me a cup of water after I coughed a couple of times. For some reason the pollen this year is especially irritating to my throat. It’s not often that staff voluntarily offer a cup of water to store customers, and that kind of service is why I plan to return often.

Being downtown, I couldn’t resist dropping by Malaprop’s for a visit to one of my favorite booksellers. Wandering through the book aisles I came across two book titles that caught my attention. The first book is by Thomas Merton, New Seeds of Contemplation.  I haven’t read much of Merton’s writings. But as I was flipping through pages of New Seeds my eyes fell upon the following passage:

If I am supposed to hoe a garden or make a table, then I will be obeying God if I am true to the task I am performing. To do the work carefully and well, with love and respect for the nature of my task and with due attention to its purpose, is to unite myself to God’s will in my work. In this way I become His instrument.

The work ethics idea in this passage seems so foreign in today’s culture that it caused me to stand, shifting my weight from one foot to the other, and ponder the question: am I true to the task I am performing? However menial the task, do I accomplish tasks with due attention to its purpose?

The other book that caught my attention while I walked through the book aisles at Malaprop’s is The Poetics of Space by Gaston Bachelard. Here’s a passage that arrested my attention:

And whereas philosophical reflection applied to scientific thinking elaborated over a long period of time requires any new idea to become integrated in a body of tested ideas, even though this body of ideas be subjected to profound change by the new idea (as is the case in all revolutions of contemporary science), the philosophy of poetry must acknowledge that the poetic act has no past, at least no recent past, in which its preparation an appearance could be followed.

This took me a couple of readings to unpack the idea in this passage, and I’m not sure if I agree with it or disagree with it. My initial thought is not to agree with it simply on the basis that there is nothing new under the sun. However, counterpoint to my initial thought is a recollection of Jane Hirshfield’s thoughts on creativity and originality in poetry.

I wish I could have purchased these books last night, but I spent my money at True Blue and will have to wait until new funds arrive to purchase these titles.

Video: Traveling Bonfires poetry reading at Malaprop’s

Here’s a video of Pasckie Pascua from last week’s Traveling Bonfires poetry reading at Malaprop’s Bookstore/Café.

Always be prepared to read your poems

When I mentioned earlier today that you should join the Traveling Bonfires tonight at Malaprop’s, you really were invited to join the reading. Two of the three poets were unable to show up for tonight’s reading. The emcee of the poetry reading and founder of the Traveling Bonfires invited anyone in the audience to read poems. He asked me to read my poems as well.

I wasn’t prepared to read; only to listen. But no one else came prepared to read. So, I frantically dug into my old messenger bag and found two poetry chapbook manuscripts by other poets. For a brief moment I thought I would read from their manuscripts, but I didn’t want to read poems that weren’t ready for the public. Sandwiched between loose papers and a copy of Selected Cantos of Ezra Pound and Narrow Road to the Interior was my red notebook containing poem sketches and revisions. I had half of a thought to read selections from Pound and Basho, but in my notebook I found six poem sketches and revisions to test in front of an audience.

The moral of the story is this: always be prepared to read your poems and if you’re a poet in the Asheville area (or if you’re a poet traveling near the Asheville area) contact me or the Traveling Bonfires (travelingbonfires@yahoo.com) and we’ll find a space and a mic and a crowd of listeners.