Reclaimed illustration paper

As a drawing exercise, I reclaim old illustration paper that has been damaged in some form or fashion. Maybe it was ink or paint that bleed from a top page to the paper underneath. Maybe it is page that I erased pencil lines so many times the paper fibers feather the ink when it is applied. Whatever the case, a couple drawings and the use of my Sakura Pigma Micron pens provide an art exercise.

Pen and ink illustrations

Creating analog art in a digital world

The challenge of creating analog art in a digital world is the only people to see and experience it are those who receive it–who physically hold the Bristol paper with ink illustrations in their hands. It is a great temptation to showcase the art on social media for the ephemeral likes of affirmation and validation. But the experience of sharing art in-person is intimate and memorable.

Is this sentimental? Or wistful desire toward a time and place where people were present and engaged? The value of creating something tangible and shared among family and friends avoids parasocial relationships. The glare of digital praise is alluring, but lonely.

Couple at Coffee Underground

Source: Coffee Underground

Spot illustration corrections

Charcoal illustration on Bristol paper with corrections on tracing paper

Spot illustration assignment

Charcoal illustration on Bristol paper

Better together

Sketch of an advertising campaign

Before mobile devices with cameras — and software applications that capture images and store and share them — there was the sketchbook. A hard case, cloth-cover book featuring at least a hundred blank archival pages was always within reach. As a young art student it was my practice to draw advertisement layouts, images, typographic arrangements, or other sources of inspiration that I might use in future creative projects. Occasionally a sketch was a hand-drawn duplication of a photo, print ad, or poster. More often it was an interpretation, re-imagining, or riff on an original source of inspiration. It was, and is, how I learn — how I study. It is tactile.

The practice of drawing develops the interaction of muscle and neural growth. Drawing is a skill that will not improve by machine learning or multimodal image creation software applications. It is a dance between the muscles of the hands and fingers in coordination with the eyes and the cerebral cortex. Outsourcing these skills only lead to atrophy of intellect and muscle. Looking at my hands as they hover over the keyboard, I wonder why I am not drawing instead of typing. This too is a dance. The delicate steps navigating life’s dance among digital and analog tasks.

November sky

Source: There’s something about these clouds

A sketch a day

Sketch on loose paper

At Mulfinger’s Art Studio

Source: Art Studio Still Life

November breeze rattles the brown leaves on the tree

Source: Good books, good music

A perfect day for reading books and drinking tea

Instagram montage
Source: The only way for human beings is to choose

Autumn in the Piedmont

Source: These autumn mornings

Coat rack collection

Sketchbook drawing

A record of days

Sketchbook drawing circa 1990s

Reading at bookstore

Source: Woman Reading

An afternoon reading comic strips

Source: A collection of comic strips

Lost confessions

Searching for lost confessions

Some days all you need…

Over two months of writing a poem a day
Interested in the November PAD (Poem-A-Day) Chapbook Challenge?

October quickly fades

I raise my cup to invite the bright moon

Raised cup to invite the moon

Haiku a morning in a thousand pixels

Haiku a morning in a thousand pixels

Gather ’round the radio

Time to gather ’round the radio

Legend

Inktober — Day 15