“I wrote this story for you…”

via myheadandmyhearttoday

Illiteracy in America

44 million adults in the U.S. can’t read well enough to read a simple story to a child.

National Adult Literacy Survey (via firstbook)

Discussion Forum Etiquette – Promoting Your Book

The Origin of Titles

It is amusing that modern readers have been spared the lengthy title of the 1859 first edition:

ON THE ORIGIN OF SPECIES.
OR THE PRESERVATION OF FAVOURED RACES IN THE STRUGGLE FOR LIFE.

hm?

British scientists have found scores of fossils the great evolutionary theorist Charles Darwin and his peers collected but that had been lost for more than 150 years (via libraryland)

Poetrio at Malaprop’s

The monthly poetry reading series Poetrio continues Sunday, March 4, 2012, 3:00 p.m. at Malaprop’s Bookstore/Café. The March Poetrio features Megan Volpert with SONICS IN WARHOLIA, Rupert Fike with LOTUS BUFFET, and Jethro Clayton Waters with SOUTH OF ORDINARY.

Please note that UNC-A has a champion basketball event downtown this weekend and the public parking garages will charge a special daily “event fee.” Park away from the center of downtown Asheville and enjoy a lovely Sunday afternoon stroll to Malaprop’s. They have a wonderful café with refreshments and poetry for after a nice walk through the city.

POETRIO readings and booksignings:
Megan Volpert, Rupert Fike, Jethro Clayton Waters
Sunday, March 4, 2012, 3:00 p.m.
Malaprop’s Bookstore/Café, 55 Haywood Street, Asheville, NC 28801
www.malaprops.com

Quote: Patti Smith

Please, no matter how we advance technologically, please don’t abandon the book. There is nothing in our material world more beautiful than the book.

Patti Smith (via libraryland)

Literary Reading at Posana Café

Later this week, a literary reading featuring Catherine Reid and Valerie Neiman. February 18, 2012, at Posana Cafe, at 7:30 p.m.

Catherine Reid is the author of COYOTE: SEEKING THE HUNTER IN OUR MIDST, as well as essays in such journals as GEORGIA REVIEW, MASSACHUSETTS REVIEW, FOURTH GENRE, and BELLEVUE LITERARY REVIEW. Currently, she directs the undergraduate creative writing program at Warren Wilson College, where she also teaches creative nonfiction and environmental writing.

Jane Alison calls  Valerie Nieman‘s third novel, Blood Clay “both a tense, plot-driven story about complicated issues of race and guilt, and a meditation on solitude, history, and ways of living.”

A former newspaper reporter, Nieman is also the author of a collection of short stories, Fidelities, and a poetry collection,Wake Wake Wake. She teaches at the John C. Campbell Folk School and serves as poetry editor of Prime Number magazine.

From an email from Mark Prudowsky and Katherine Soniat

Choose Your Own Adventure at the library.

Paradise… a library

How to make a mini book

Here are instructions for folding a mini book.

Here’s how to make a handmade mini book in eight steps (and a published author/book artist in 10 steps).

“Maybe it’s not about the happy ending…”

‘Maybe it’s not about the happy ending…’

(via sunnysideeeee)

Who doesn’t want to curl up with a good book on a day like today?

Books on book binding.

@barbieangell interviewing @rosannecash

Nightstand reading

Stack of books on the window sill
Stack of books on the window sill

I’ve been told my taste in books is eclectic.

I choose my own books
But really it’s destiny.
Their stories find me.

alannaevelyn (via prettybooks)

Quote: Charles Simic

How many book lovers among the young has the Internet produced? Far fewer, I suspect, than the millions libraries have turned out over the last hundred years.

Charles Simic (‘A Country Without Libraries’) via NYR Blog

Limited edition – Rooftop Poets poetry book

Rooftop Poets: limited edition poetry book
Limited edition poetry book

In September 2010 an idea was born to hold a poetry reading under a full moon at the Roof Garden of the historic Battery Park Hotel. Three weeks after that September afternoon, sixty people attended an invite-only poetry reading, book-signing and jazz show on Friday, October 22, 2010. The event was publicized almost exclusively through Twitter, Facebook and word-of-mouth and featured Asheville, North Carolina poets Barbara Gravelle, myself (Matthew Mulder) and Brian Sneeden with special musical performance by Vendetta Creme and Aaron Price. And thus, Rooftop Poets was born in Asheville under a full moon.

Since the Roof Garden reading, the Rooftop Poets have been invited to read at various venues and interviewed for newspaper and television. Brian’s poem “The Temple” (included in Rooftop Poets poetry book) went on to be the Mountain Xpress’s first place winner in their 2011 poetry contest.

If you missed the memorable evening last October, there are still a few copies of the limited-edition, 64-page book. You may purchase copies at Malaprop’s.

Rooftop Poets is a limited-edition, 64-page book of poems featuring the work of three Asheville, North Carolina poets.

Barbara Gravelle, author of several poetry books including, Keepsake, Dancing the Naked Dance of Love, and her latest collection of poems, Poet on the Roof of the World.

Matthew Mulder, one of the original members of the Traveling Bonfires, his poetry and prose have appeared or are forthcoming in Crab Creek Review, Small Press Review, The Indie, H_NGM_N, and other publications.

Brian Sneeden has produced, designed or written for more than a hundred theatrical performances. He is the current director and MC of Asheville Vaudeville.

Translating Concrete

Translating 'Concrete'
Translating 'Concrete'

Brinkmann’s book Künstliches Licht begins with a poem titled after the French architectural style of roughly-finished concrete. Nothing more interesting than translating a German poem with French words and deeper contextual elements.

Lost in translation

Brinkmann's Künstliches Licht
Brinkmann's Künstliches Licht

Look what arrived from across the pond. Forgive me for being rather spare with my online presence these last few weeks. I’ve got two good reasons and a surprise.

  1. A vintage manual typewriter arrived and I’ve been spending more time using that machine than I’ve been online.
  2. A copy of Rolf Dieter Brinkmann’s Künstliches Licht arrived in time for the rainy season and I’ve been reading in German and translating to English. Hopefully I’ll have some of the translations done in time for the upcoming Poetry at the Pulp event on April 8th.

Okay so the big surprise is still in the works. Sorry for the tease. I’ve been working on something new and plan to launch it here in the near future. That’s all I can say at this point. By the end of the week I should have more details that I will share.

Poetry contest winners announced!

How did I overlook this? The Rapid River Magazine’s 14th annual poetry contest winners were announced earlier this month. Congrats Tracy Darling on receiving first place for the winning poem: ‘Offering Up the Main Course.’ All finalists are published in this month’s issue of the Rapid River Magazine as well as a review of Thomas Rain Crowe’s new book Crack Light.

Sold out: Tomorrow We Sweat Poetry

A Flood Gallery Fine Arts Center poetry chapbook

Tomorrow We Sweat Poetry (paperback, 20 pgs, 8″x5″ $8 + s/h) is officially out of print.

Tomorrow We Sweat Poetry is the result of the workshop I directed called “Write and do not waste time” and features poems by Susan Ryonen Keene. A digital sample is available here. Each poetry writing workshop I direct invites students to contribute their best poems for publication in a poetry book. If you’re interested in an upcoming poetry writing workshop, please leave a comment or email me at coffeehousejunkie [at] gmail [dot] com.

Thank you all for your support!

Review of Sunday’s Poetrio featuring Landon Godfrey, Luke Hankins, Britt Kaufmann

Maybe ‘review’ is a bit of an erudite word to use in this blog title regarding Sunday’s poetry reading at Malaprop’s Bookstore/Café. But Sunday’s poetry reading may be one of the best Poetrio readings I’ve attended in a long time. After the snow flurries ceased the poetry began. Several local literary luminaries were in attendance including Pat Riviere-Seel, Gary Hawkins, Sebastian Matthews, Keith Flynn among others.

I Was Afraid of Vowels, Thier Paleness
I Was Afraid of Vowels, Their Paleness by Luke Hankins

The first poet who read was Luke Hankins, Associate Editor of Asheville Poetry Review. I first learned about Luke from an article he wrote for the The Writer’s Chronicle and then I had the privelege to met him at one of the Poetry at The Pulp events last year.

He read from his recently published bilingual chapbook of translations, I WAS AFRAID OF VOWELS / THEIR PALENESS, of French poems by Stella Vinitchi Radulescu. Poems read include: ‘landscape in three movements,’ ‘children of the fog,’ ‘a cry in the snow,’ and the poem where the title of the chapbook originates — ‘adagio.’ Radulescu’s poems tend to be spare and short and afforded Luke opportunity to read some of his own poems. The difference between Luke and Stella’s styles offered a stimulating contrast to his portion of the Poetrio reading. Luke read another translation he had made of a different French poet. I didn’t catch the name of the poem or poet, but the poems essence was atmospheric (and reminded me of the poet Jean Orizet) and provided a beautiful centerpiece to his portion of Sunday’s reading.

Belonging
Belonging by Britt Kaufmann

Britt Kaufmann read next from her recently published chapbook BELONGING. Her chapbook was named a semi-finalist in the most recent competition for the New Women’s Voices Series at Finishing Line Press.

My introduction to Britt and her work was at a Flood Reading Series in February 2007. Poems read include: ‘Oak Leaf,’ Hand-Me-Down Gift,’ ‘Under Grandma’s Quilt, ‘Tobacco Barns,’ and others. Interestingly, the title poem to the chapbook is not included in the collection of poems. But Britt read it as her last poem of her portion of the event.

Britt’s poetry evokes a celebration of everyday moments too often overlooked. A lyrical ache subtly emerges from each poem the way daffodils quietly appear in late February here in the mountains. There’s a longing for meaning in each poem and a sense of contentment to just be.

If you missed Poetrio, Britt is scheduled to read on Friday May 6, 2011 at 4 p.m. at Wordfest at Grateful Steps Publishing House and Bookshop.

Second-Skin Rhinestone Spangled Nude Souffle Chiffon Gown
Second-Skin Rhinestone Spangled Nude Souffle Chiffon Gown by Landon Godfrey

The final poet to read at Sunday’s Poetrio event was Landon Godfrey. She read from her recently published book, SECOND-SKIN RHINESTONE-SPANGLED NUDE SOUFFLE CHIFFON GOWN. David St. John chose her manuscript as the winner of the 2009 Cider Press Review Book Award.

A book title like this is hard to forget, and equally difficult to remember. I first heard Landon read the title poem at a Flood Reading Series in March 2009 [listen to the audio] and later at May 2009 Poetrio event. Other poems read at those 2009 readings included ‘Chanel No. 5,’ ‘Labor in Vain,’ ‘There Are Thousands of Stones in the Sky,’ and ‘On Black Cloth with White Chalk I Drew the Stars.’ Landon read some of those poems at Sunday’s Poetrio reading as well as others: ‘Landscape with Dialectical Materialism and Milk,’ ‘Hotel Beds,’ and ‘Compositions in Grey and Grey.’

Landon’s poems provide a rich, lush tapestry of memorable moments that haunt you long after you’ve heard or read them. There’s tense, delicious balance between smooth sensuous lines and jarring acrimony in her poems.

Again if you missed Sunday’s Poetrio, Landon is scheduled for a reading and book signing at Warren Wilson College’s Sage Cafe with March 24, 2011 at 7 p.m. She is also scheduled for a reading and book signing at Wordfest, on May 7, 2011 at 7 p.m.

All these fine poetry books are available at Malaprop’s Bookstore/Café for purchase.

Poetrio reading, Sunday, March 6, 2011, 3:00 p.m. at Malaprop’s Bookstore/Café: Landon Godfrey, Luke Hankins, Britt Kaufmann

From Malaprop’s e-newsletter:

On Sunday afternoon, March 6 at 3:00 p.m., Malaprop’s Bookstore/Café will welcome poets Landon Godfrey (SECOND-SKIN RHINESTONE-SPANGLED NUDE SOUFFLE CHIFFON GOWN), Luke Hankins (I WAS AFRAID OF VOWELS / THEIR PALENESS), and Britt Kaufmann (BELONGING).  The reading and booksigning event is free and open to the public, and we hope that you will join us at this monthly poetry event.

Poet, artist, and actress Landon Godfrey read her poetry at the Malaprop’s Poetrio event in May 2009, and some of you may remember that this versatile practitioner of many arts has had work published in the Black Mountain College Museum + Arts Center chapbook, Voicing BMC: The Women; in Best New Poets 2008, selected by Mark Strand; and in Orbis, The Missouri Review, The Southwest Review, Beloit Poetry Journal, and many other literary journals.  You may also have seen her on the stage of the BeBe Theatre in Asheville, and she’ll be appearing in Labyrinth at the Magnetic Theatre in April.  For the manuscript of her just-published poetry book, SECOND-SKIN RHINESTONE-SPANGLED NUDE SOUFFLE CHIFFON GOWN, she won the 2009 Cider Press Review Book Award. Writes poet David St. John, who judged the 2009 award competition, “Never has the sumptuous materiality of language felt more seductive than in Landon Godfrey’s remarkable debut collection, SECOND-SKIN RHINESTONE-SPANGLED NUDE SOUFFLE CHIFFON GOWN.  These exquisite poems are both sensually compelling and intellectually rigorous — a rare feat indeed.  The iridescence of this marvelous volume continues to glow long after one has turned out the lights. . . .”

Luke Hankins has served as an Associate Editor of Asheville Poetry Review since 2006. His poetry, prose, and translation have appeared in numerous publications, including The Cortland Review, New England Review, Poetry East, Southern Poetry Review, and The Writer’s Chronicle, as well as on the blog of the NPR program “Being.”  He graduated from the Indiana University M.F.A. program in 2009, where he held the Yusef Komunyakaa Fellowship in Poetry, the program’s highest poetry fellowship.  At Malaprop’s, Luke Hankins will be reading from I WAS AFRAID OF VOWELS / THEIR PALENESS, his recent bilingual chapbook of translations from the French poems of Stella Vinitchi Radulescu. Radulescu was born in Romania but left in 1983, first seeking political asylum in Rome and then immigrating to the United States. A scholar and teacher as well as a poet, she has written and published books of poetry in Romanian, French, and English but does not translate her own work.  In his Translator’s Note, however, Luke Hankins acknowledges “her partnership in finalizing the translations” for I WAS AFRAID OF VOWELS / THEIR PALENESS — selected poems from Radulescu’s book UN CRI DANS LA NEIGE (A CRY IN THE SNOW).  Writer and translator Hoyt Rogers admires both the original poetry and Luke Hankins’ translations: “Like seashells with light shining through, these poems by Stella Vinitchi Radulescu express the tough fragility of being; in his lucid translation, Luke Hankins mirrors perfectly their deftness and their strength.”

Britt Kaufmann’s poetry has been published in The Mennonite, Western North Carolina Woman, Now & Then: The Appalachian Magazine, Main Street Rag, LiteraryMama.com, and elsewhere.   Her chapbook BELONGING was named a semi-finalist in the most recent competition for the New Women’s Voices Series at Finishing Line Press.  The poetry in her new collection loosely chronicles Britt Kaufmann’s upbringing in Mennonite Goshen and her move to the mountains of Western North Carolina.  Her hometown of Burnsville, North Carolina, hosts the Carolina Mountains Literary Festival, for which she serves on the planning committee. Among others, Fred Chappell and Kathryn Stripling Byer, former Poets Laureate of North Carolina, admire Britt Kaufmann’s new collection of poetry.  Fred Chappell has written, “‘Belonging,’ that word is the best possible title for Britt Kaufmann’s earnest, engaging, affectionate, and wonderfully enjoyable collection of poems.  ‘Be,’ says the land and the nature that enfolds it.  ‘Longing’ is what we feel when we gaze upon the land and try to search its meaning.” Kathryn Stripling Byer adds, “[Britt Kaufmann’s] words call up the things of everyday life and make them last. This poet belongs unapologetically to that moment when joy pushes its way to the surface, like a crocus through snow, never hesitating to praise it and its many gifts, opening her arms wide to welcome its arrival.”

Hope to see you at Malaprop’s on Sunday!

UPDATE: Due to the scheduled the Asheville Mardi Gras parade for 3:00 p.m. Sunday, March 6, Malaprop’s staff recommends arriving early (the parade line-up begins at 2:00 p.m.). The city of Asheville has several parking solutions. Here’s a link to parking garages in near Malaprop’s Bookstore: Link.