This Sunday at the Malaprop’s cafe at 3:00 p.m. on Sunday, September 16, join the following poets as they read from their recent books: Holly Iglesias (ANGLES OF APPROACH), Sebastian Matthews (MIRACLE DAY: MID-LIFE SONGS), and Katherine Soniat (THE SWING GIRL). More details here. Link.
Tomorrow, 8:30 p.m. join James McKay, Laura Hope-Gill, Caleb Beissert, Pasckie Pascua, and Aaron Price at Battery Park Book Exchange & Champagne Bar, 1 Page Avenue, Asheville on SEPT 11, 8:30 to 11PM. This event is free to the public. Read poet and musician bios as well as other information on the Facebook events page. Link.
I think poetry exists partly in order to sing the praises of who and what we love. . . . As well as for the purpose of showing us ourselves, at our worst as well as at our best.
—Sharon Olds [1]
SOURCE: [1] Megan O’Grady, “Fine Print: Poet Sharon Olds Chronicles the End of Her Marriage in a New Collection,” Vogue, accessed August 28, 2012, http://www.vogue.com/culture/article/fine-print-poet-sharon-olds-chronicles-the-end-of-her-marriage-in-a-new-collection/#1.
Tonight, 7PM at the Downtown Books & News, the Juniper Bends quarterly literary reading series presents Catherine Campbell, David Hopes, Majo John Madden and Nina Hart.
More information on the Juniper Bends Facebook events page. Link.
Hope to see you there!
This sunday, Malaprop’s Bookstore/Café continues the monthly poetry reading series, Poetrio, with Meta Commerse, Cassie Premo Steele, and Pauletta Hansel.
In an email from Virginia McKinley, of Malaprop’s, here’s a write up about August’s featured poets:
Meta Commerse. . . is the author of six books, including a novel intended to be a book of hope for middle-school-aged black girls. That book began as her culminating project for the MFA degree in creative writing at Goddard College. RAINSONGS: POEMS OF A WOMAN’S LIFE is her most recent book of poetry. . . .
Cassie Premo Steele’s poetry has appeared in numerous anthologies, magazines, and journals, including such publications as Sagewoman and Calyx. Her work has been nominated twice for a Pushcart Prize. . . Her most recent book of poetry, THE POMEGRANATE PAPERS, is based on the Persephone/ Demeter myth and addresses the themes of mothers, daughters, creative cycles, loss, healing, and living in harmony with the seasons. . . .
According to Jackie Demaline of The Cincinnati Enquirer, Pauletta Hansel has been “an arts administrator and an unflagging arts advocate, [but] doesn’t like to talk about herself.” Yet she seems happy to talk about the work she finds most interesting: “community organizing and community arts.” . . . . Pauletta Hansel has published poems in . . . journals . . . and . . . has three previous collections of poetry, Divining, First Person, and What I Did There; at Malaprop’s she will read from her most recent book, THE LIVES WE LIVE IN HOUSES. . . .
Hope to see you Sunday, August 5, at 3:00 p.m. for Poetrio!
If it is possible to be drunk on poetry, than I am still sobering up from last night’s event Poetry at the Altamont featuring Evie Shockley. It was quite a special night as Evie Shockley read selections from the new black and a half-red sea as well as some new poems in progress.
Other highlights include poems read by notable poets including Lee Ann Brown, Jeff Davis (who also hosted the event), Eric Steineger, Caleb Beissert and many others whom I have forgotten there names, but not their words. There were verses read about five drinks at a bar with reflections of a homeless man in a cardboard box home and another poem about bees and honey and lazy hippies squatting in someone’s home all summer.
I also read some poems last night. Earlier in that day I had mailed off a manuscript to a publisher and had intended to read selections from that manuscript, but I changed up what I read. I can’t tell you what I read. You’ll have to ask someone who was there last night at The Altamont.
It was such a pleasure to join this gathering of poets and share works in progress in sort of literary laboratory. Looking forward to the next gathering.
Sometimes a few notes of music follow you for days are weeks or years. Sometimes a line of poetry haunts you like a memory you can’t quite recall. It’s like rain, it permeates the air, wets the ground, even makes tea taste more pronounced.
Here’s part of a story I can share with you. After I was at university studying art and design, I found an audio CD in a music store titled Jazz for a Rainy Afternoon. What attracted me to the album, a compilation, was the fact that the cover art reminded me of a sexier version of Gustave Caillebotte’s famous painting. I purchased the audio CD. It was background music initially. Something to edge off lonely days as a poor graduate beginning a career in graphic design. About the same time I discovered, and purchased, a copy of William Kistler’s poetry book America February.
I have always enjoyed poetry and music, but reading Kistler’s work was rigorous for me. Light verse and traditional poems, the variety that fill American and English school book anthologies, were what I was familiar with. But Kistler’s poetry was a new dish for my inexperienced palate. Equally, understanding the musical selections of Jazz for a Rainy Afternoon as more than a background soundtrack was challenging.
A line from one of Susan L Daniels’s poems has captured my attention this past week—the way jazz and poetry sometimes do. The speaker in the poem answers a question, so you like jazz, by saying: “…the answer is no/I live it sometimes…” That’s what I have come to enjoy about the complicated progression in a song or a poem that avoids a clean resolution.
Jazz and poetry work into you. It takes you down that familiar path of a rainy day afternoon, a common enough subject, but it is a variation of that theme. Never the same way twice. Like reading a poem as a school boy and reading it later as a graduate and later as a professional. Same poem printed on the page, but different. Always different. But familiar, because you “live it.” There’s more to this story. Maybe I’ll share it with you on another rainy day afternoon.
Sunday, at 3:00 p.m. at Malaprop’s Bookstore/café, the Poetrio series continues with three poets: James Davis, Kyle P. Harper, and Laura Walker.
Tonight, 7:30 p.m., Downtown Books & News presents an evening of poetry hosted by Jeff Davis and features Evie Shockley (recently selected for Holmes National Poetry Prize), Holly Iglesias, Luke Hankins and Tina Barr.
Sunday afternoon, June 3rd at 3 p.m., the Poetrio monthly reading series continues with Donna Lisle Burton, Alice Osborn, and Erica Wright. Details here [link].
From Malaprop’s community outreach director, Virginia McKinley:
Poet and visual artist Donna Lisle Burton. . . . has two previous collections of poems; is also an accomplished painter, portraitist, and photographer; and has four decades of experience as a special education teacher. Of Donna Lisle Burton’s third collection of poems, LETTING GO, award-winning Asheville poet Pat Riviere-Seel has written, “Do not be misled by the title: once you start reading, there will be no Letting Go [sic].” North Carolina Poet Laureate Cathy Smith Bowers has offered this additional appreciation: “Reading the poems of Donna Lisle Burton is like happening upon a cache of tender and beautifully crafted love letters. Among the objects of her most intimate affections are lovers both old and new — parents and siblings and children; students and friends; flowers and bridges and mills. And, finally, her luckiest of lovers, whoever might open the pages of this exquisite book.” The variations on letting go that are gathered in this collection are not entirely beautiful or easy, and not always for the reasons one might anticipate. . . .
Alice Osborn is another transplant to North Carolina. . . . AFTER THE STEAMING STOPS is her most recent collection of poetry; previous collections are Right Lane Ends, and Unfinished Projects. The latter prompted these remarks from writer Homer Hickam: “I love Alice’s poetry. She gives me thoughts I’ve never thought, and dreams I’ve never dreamed. She uses words like a master potter — molding the clay of the mind into vessels that hold not things, but life, place, and time.” AFTER THE STEAMING STOPS seems a book more of broken dreams than of new or unexpected ones. There is no sentimentality in the face of death, departures, endings. . . Before the fierceness of nature and life, love becomes fierce — but after the fact, and nearly as helpless as the child who declared, “I’ll find my own way!” — and bicycled off as a tornado approached, “no clue dueling cyclones ate children / near the road he and Daddy drive on every day to school.”
Erica Wright. . . . serves as poetry editor for Guernica, a magazine of art and politics, and teaches creative writing at Marymount Manhattan College. . . . Of her 2011 book, INSTRUCTIONS FOR KILLING THE JACKAL, Christopher Crawford observed in a recent review for the literary magazine Neon, “Wright is not afraid to use the darkest of imagery combined with a violence of language. A great number of the poems here are in tercets and couplets and Wright makes good use of these forms[,] which allows her to move her short, sharp-edged anecdotes with disquieting ease from beginning to end. Wright’s poems often follow the tracks of her thoughts through various twists, turns and enjambments. The darkness that informs these images is always just below the surface, the music in the lines is subtle and tense . . . The poems give a sense of someone trying to find something while at the same time avoiding it, leaving the scene while simultaneously confronting it. . . .” Erica Wright’s imagery, settings, and situations often recall the elements of tall tales — but tales whose paths soon wind toward mythical landscapes, the unsettling territory and characters of fables, a realm of constant metamorphosis and of faith mingled with superstition. . .
Hope to see you at this month’s Poetrio reading series.
Just received this email from Malaprop’s regarding tonight’s, June 1st, reading at 7 p.m.
Triple reading event, featuring new poems by Sebastian Matthews, and selected poems from his most recent collection: MIRACLE DAY: MID-LIFE SONGS; a reading by Sybil Baker from her novel INTO THIS WORLD; and a reading by novelist Chris Hale from her just-completed memoir, LINE OF SIGHT.
I’m very excited to learn of Sebastian Matthews’s new collection of poems.
It was truly an honor to be invited to read a few poems at this year’s Asheville Wordfest. When I received the invitation I thought it was a mistake. So, I direct messaged the director using Twitter saying: “my twitter acct is wonky today. i received something from you re: wordfest… how can i help?” Previously, I had helped with audio during a previous Wordfest featuring the poet Li-young Lee. She direct messaged me on Twitter with a note of confirmation. So, I began selecting poems for the event.
Since I haven’t read my poetry publicly in more than a year, I was a bit anxious about the invitation to read at this year’s Wordfest. Last year was a busy year of readings at bookstores, [1] a literary salon, [2] and a featured guest at the Mountain Xpress poetry show. [3] Then employment for me became tricky and I endured the challenges of a transition to a new job, lay off, unemployment, and another job transition with a three-hour round trip commute. I kept writing new poems, but the new out-of-state job prevented me from participating in the active literary scene here in Asheville.
There were more than a hundred new poems I wrote last year to consider for the Asheville Wordfest poetry reading. I selected four or five new poems, but I didn’t feel confident enough in their craftsmanship to read publicly. One manuscript I have been developing for awhile had the strongest work that best fit this year’s Wordfest theme, “HOME: Place and Planet.” I started it when I took a writing workshop taught by Ashveille Wordfest Director, Laura Hope-Gill, a few years ago.
Two practices help me decide what poems to read. First, it is my practice to put a poetry manuscript in a presentation book with sheet protectors. That way pages don’t fall to the floor during a reading. You can usually purchase presentation books of that nature at office supply stores. I select a variety of poems on various subjects or themes. Further, it is my practice at an actual poetry reading featuring multiple poets to listen closely to the other poets. While the reading takes place, I select poems that speak to other poets’ work as a way to have a literary conversation. So, I brought four working manuscripts hoping that I might find a poem that might play off a poem read by Ronald Reginald King, DeWayne Barton, and Katherine Soniat.
As I walked to the podium after a very generous introduction by Laura Hope-Gill, I still hadn’t decided what poem would complete my reading. I knew the poem I would lead off with and I knew the one to follow, but the third and final poems I hadn’t quite decided. Improvisation is something I am developing in public readings, because each night the audience is different, with individual needs, interests and mood. A bar room poem might work in one setting and audience, but not work another night with a different audience. So, after I clumsily introduced myself, I knew by the time I finished reading the second poem where the narrative of the poem selection would lead. For better or worse, the reading was videocast and a recording is available. Here’s a link to the video [link here].
When I sat down next to my wife after completing my reading, I noticed a couple mentions on Twitter regarding the live videocast. One person [4] tweeted, “Goosebumps: poem dedicated to Jenny.”
NOTES: [1] As a member of the Rooftop Poets, I read with Barbara Gravelle and Brian Sneeden at Accent on Books in February. Barbara Gravelle and I read at the May 2011 Poetrio at Malaprop’s Bookstore & Café. That was my last public reading until last Friday night, May 4, 2012. [2] After a very successful book launch and poetry event, the Rooftop Poets presented Poet’s on the Roof: A Literary Salon. [3] The Mountain Xpress invited Brian Sneeden and myself to read on behalf of the Rooftop poets as featured poets at the 2011 Mountain Xpress Poetry Show [4] @anorawrites
It’s less than two hours before the event and I find myself pacing the house with loose leaf pages of poems wondering if I’ve chosen the correct poems for tonight. I’ve been preparing for tonight’s reading all week. Reading poems I’ve written (and avoiding making additional edits). Selecting the poems I plan to bring to tonight’s reading at The Altamont Theater. I’ll read at the Asheville Wordfest event Voices of the City alongside Katherine Soniat, DeWayne Barton, Ronald Reginald King, Ekua Adisa and Roberto Hess. But I can’t help wonder, what do these fine poets do before a poetry reading? What rituals do they observe the day before an event like tonight?
It’s true. There is only one article I read from the pages of O: The Oprah Magazine. It is the interview between Maria Shriver and the poet Mary Oliver. [1] “I consider myself kind of a reporter. . .” Mary Oliver says. I think that’s the same sentiment Wordfest director Laura Hope-Gill expresses in this week’s Mountain Xpress article where she describes poetry as “citizens’ journalism.” [2]
“Poetry is a short line between different cultures,” says Laura Hope-Gill. “It can heal the cultural divides that still plague our city. It opens conversations that we need to have.”
The invitation to read my poems at this year’s poetry festival is something I don’t take lightly. I spent the last few nights reviewing poems I’ve written during the last year as well as poems composed during the last decade. The PR/marketing side of me wants to chose poems to read that promote a certain manuscript I’m developing or maybe only read published poems. It’s a promotional game poets play when they read their work publicly. They casually mention that “the next poem I’m going to read was published in the Atlantic Monthly…” or the American Poetry Review or some other notable journal as away to promote their ascendancy of poet extraordinaire.
But my thoughts returned to the idea Laura mentioned in the Mountain Xpress article. I looked through pages of my poems last night searching for material that addresses the idea of healing cultural divides or opening conversations. Selecting poems that fit the general theme presented a bit of a challenge, but there are subtle threads of those ideas in several of the poems I’ve written during the last few years.
Tonight, however, I’ll put aside the task of poem selection and venture to the Vanuatu Kava Bar for Poem-ing the 28801 [3] featuring Barbie Angell, Ten Cent Poetry, Jonathan Santos and Jadwiga McKay.
NOTES: [1] Dear Oprah, you stole my idea, but I’m not filing charges [2] A short line between different cultures [3] Wordfest 2012: Poem-ing the 28801
“It’s a good time to come together at the table of poetry,” says Laura Hope-Gill, the director of Asheville Wordfest, in a recent article in the Asheville Citizen-Times.[1] I’m very excited to be part of the local Asheville poets who will be reading during the festival. I’m also excited to listen to the guest poets attending this year’s poetry festival. Some of the guests include Arthur Sze [2] (author of The Ginkgo Light, Archipelago and other books) and Matthew Shenoda (author of Somewhere Else and Seasons of Lotus, Seasons of Bone of which A. Van Jordan writes, the poet “uses a quiet language to bring some of the most striking lyrical intensity.”).[3]
This year’s Wordfest includes a memorial reading for poet Carol Novack. On a rainy evening last summer at the Battery Park Book Exchange and Champagne Bar was the last time I saw her. She was with friends and admirers reading selections from Giraffes in Hiding.
This morning I received an email from the director of Asheville Wordfest with the official schedule for the Asheville Wordfest 2012. It is listed below for those who have not received the schedule:
Wednesday
• 9-11 p.m.
Open mic hosted by Caleb Beissert. Vanuatu Kava Bar, 15 Eagle St.
Thursday
• 7 p.m. “Poem-ing the 28801,”
with Barbie Angell, Ten Cent Poetry, Jonathan Santos and Jadwiga McKay at Vanuatu Kava Bar.
Friday
• Noon, informational luncheon with Lenoir Rhyne University graduate studies program director Paul Knott, who will talk about the Masters in Writing program. Chamber of Commerce building, 2nd floor, 36 Montford Ave. RSVP required to Sara Landry at 258-6136 or Sara.Landry@lr.edu.
• 5-7 p.m., MadHat Reception honoring Carol Novack. Refreshments.
• 7 p.m. “Voices of the City,”
Katherine Soniat, DeWayne Barton, Ronald Reginald King, Matt Mulder, Ekua Adisa and Roberto Hess.
• 9 p.m. “An Evening of Translation,”
with Erik Bendix, Caleb Beissert, Thomas Rain Crowe, Nan Watkins and Luke Hankins.
Saturday
• 11 a.m.-12:30 p.m., “The Poets of Press 53,”
with Terri Kirby Erickson, Joseph Mills and Kathryn Kirkpatrick.
• 1-2 p.m. The Carol Novack Memorial Reading,
with Terese Svoboda, Marc Vincenz and Jeff Davis, Asheville Wordfest co-founder and host of Wordplay.
• 3 p.m. “Fixing to Tell About Jack,”
a celebration and benefit for Ray and Rosa Hicks Fund, featuring storytellers Sheila Kay Adams, Gwenda Ledbetter, Vixi Jil Glen, David Novak, Connie Regan-Blake and Ted Hicks. $12; additional donations welcomed.
• 5:30-6:30 p.m.The Poets of the Asheville-Buncombe County Schools Poetry Slam.
• 7-9 p.m. “Our Honored Guests,”
with Sara Day Evans, LeAnne Howe, Allison Adelle Hedge Coke, Arthur Sze and Matthew Shenoda
• 10 p.m. until late. “Late Night Open Mic.”
Sunday
• 10:30-11:30 p.m. “Children’s Poetry and Children’s Poems,” hosted by Barbie Angell..
• Noon-1 p.m. “Morning of Spirit,” with Tracey Schmidt and James Davis of Logosophia Books, Michael Ivey on guitar and Matthew Cox from Shantavaani on tablas and hand drums. An open mic will invite people to share their own spiritual poems.
• 1:30-2:30 p.m. “Voices of the City,” with April Fox, Eric Steineger, Lisa Sarasohn and Meta Commerce.
• 3 p.m., “Poetrio,” with Maureen Sherbody, Mark DeFoe and Jessie Carty. Malaprops Bookstore/Café, 55 Haywood St.
• 5 p.m. until whenever, “Poetic Wine-Down,” Battery Park Book Exchange and Champagne Bar, Grove Arcade.[4]
NOTES: [1] “Asheville Wordfest celebrates poetry of all stripes, May 2-6” [2] The Poetry Foundations bio of Arthur Sze [3] Matthew Shenoda’s web site [4] Asheville Wordfest 2012
Asheville Wordfest 2012 presents Voices of the City and features several local poets. I’m honored listed among the following local poets: Katherine Soniat, DeWayne Barton, Ronald Reginald King, Matthew Mulder and Roberto Hess.
I set up a Facebook page with more details. Friend me on Facebook to get an invitation to the event. If you’re not on Facebook, consider yourself invited to Asheville Wordfest’s Voices of the City.
Next week I’ve been invited to read some of my poems at one of the Asheville Wordfest 2012 events. The schedule is still fluid. So, you’ll have to check the official Wordfest website for the schedule details. Suffice it to say, I am extremely humbled and honored to read with great local and global poets.
How do you explain a poem without revealing its mystery? I thought about that question this weekend after a private poetry reading session. A few poets gathered under a full moon to read new work….
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The Asheville Wordfest Director, Laura Hope-Gill, announced last weekend that the Asheville Wordfest 2012 began a Kickstarter campaign to help fund the poetry festival. Wordfest celebrates its fifth year of providing a space for poets of various cultures and contexts to share their work with enthusiastic supporters of poetry.
This year’s poetry festival features many local poetry luminaries as well as notable national and international poets. Various events are scheduled at the Grateful Steps Foundation Bookshop, the Altamont Theater and other locations in Asheville, NC between May 2-6, 2012.
Here’s an excerpt from an e-newsletter that was sent last Friday night regarding the Asheville Wordfest 2012 Kickstarter campaign:
Please kindly help Wordfest by donating to the Kickstarter campaign through Poetry Month: Asheville Wordfest 2012 Kickstarter campaign.
Asheville Wordfest 2012: HOME: Place and Planet takes place from Wednesday May 2 through Saturday May 5, 2012. North Carolina Humanities Council generously funds the festival in part, and we need your help to really bring it to life.
Along with our stellar guest poets, Wordfest 2012 aims to present as many local voices as is possible within the scope of a few days. Because our local voices resonate with the global whole, we welcome the following guest poets: Choctaw scholar, author and poet LeAnne Howe, Guggenheim and NEA Fellow Arthur Sze; Egyptian-American poet Matthew Shenoda; American Book Award Winner Allison Adelle Hedge Coke of Cherokee and Huron Nations. Learn about these stellar poets at www.ashevillewordfest.com. Thank you for your help in promoting multiculturalism and community through poetry.
During the summer of 2010, I took up the challenge to write 30 poems in 30 days with two goals in mind:
Yesterday I began a new cycle of poems with the goal of writing 30 poems and 30 days during National Poetry Month (if your following National Poetry Month on twitter, the hashtag is #NPM12).
National Poetry Month begins at Malaprop’s Bookstore/Cafe with Poetrio this Sunday at 3:00 p.m. This month’s featured poets include Ed Madden, Ray McManus and Anne Harding Woodworth.
Here’s an abridged version of the poets bios from the Malaprop’s Bookstore/Café news release:
Anne Harding Woodworth is a member of the Poetry Board at the Folger Shakespeare Library in Washington, D.C. She is a part-time resident of both Washington, D.C. and the Western North Carolina mountains. On April 1 this year, she will read from her fourth book, THE ARTEMIS SONNETS, ETC.
Ray McManus teaches creative writing, Irish literature, rhetoric, and composition at the University of South Carolina, Sumter. We are very pleased to welcome him back with his second poetry collection, RED DIRT JESUS, for which he won the Marick Press Poetry Prize.
At the November 2009 Poetrio event here at Malaprop’s, Ed Madden read from Signals, the 2008 poetry collection for which he won the South Carolina Poetry Book Prize. His most recent collection of poetry is PRODIGAL: VARIATIONS.
Learn more about the April 2012 Poetrio at Malaprop’s Bookstore/Cafe at their web site.
Tonight from 7:00 p.m. until 8:30 p.m., Poetry at the Altamont continues with this month’s featured poet, Laura Hope-Gill.
It’s been awhile since I visited the The Altamont Theatre. I believe it was during last year’s Wordfest. It’s a gorgeous setting to hear poets read their work. I’m looking forward to tonight’s event.
Here’s more details about the event Poetry at the Altamont from their Facebook invite page:
Poetry at the Altamont is a reading series for poets and poetry lovers commencing on the third Monday of each month at seven o’clock in the evening at The Altamont Theatre in downtown Asheville. The event consists of a reading by the feature poet followed by an open microphone, for which readers may sign up and recite one or two short pieces. During the open portion of the event, we encourage new voices and accomplished poets alike to share what they have been working on, a space where writers have the opportunity to try out new works in front of an audience on a regular basis. Please join us for consistent, fine poetry in a setting that is equally fine.
Hosted by Jeff Davis and Laura Hope-Gill
Produced by Caleb Beissert and Aaron Price$5 at door
Beer and wine served(link)
Saturday night, March 17, 6:00 p.m. at Posana Cafe in downtown Asheville, NC. The literary reading features writer Elizabeth Lutyens and poet Tina Barr.
From a press release:
Elizabeth Lutyens teaches the Prose Master Class in the Great Smokies Writing Program of UNC Asheville and is Editor of The Great Smokies Review, its online literary journal. A former journalist, she got her MFA in Creative Writing from Warren Wilson College, and since has been at work on a novel set in the mid-19th century in Boston and the Port Royal Islands of South Carolina.
Tina Barr has received Fellowships from the National Endowment for the Arts, the Tennessee Arts Commission and the Pennsylvania Council on the Arts. Her awards include the Editor’s Prize for book publication from Tupelo Press. Her poems are published in anthologies and journals like The Harvard Review, The Southern Review and The Paris Review.
The monthly poetry reading series Poetrio continues Sunday, March 4, 2012, 3:00 p.m. at Malaprop’s Bookstore/Café. The March Poetrio features Megan Volpert with SONICS IN WARHOLIA, Rupert Fike with LOTUS BUFFET, and Jethro Clayton Waters with SOUTH OF ORDINARY.
Please note that UNC-A has a champion basketball event downtown this weekend and the public parking garages will charge a special daily “event fee.” Park away from the center of downtown Asheville and enjoy a lovely Sunday afternoon stroll to Malaprop’s. They have a wonderful café with refreshments and poetry for after a nice walk through the city.
POETRIO readings and booksignings:
Megan Volpert, Rupert Fike, Jethro Clayton Waters
Sunday, March 4, 2012, 3:00 p.m.
Malaprop’s Bookstore/Café, 55 Haywood Street, Asheville, NC 28801
www.malaprops.com
Coffeehouse Junkie 