[Podcast] Re-release of episode 12

As mentioned earlier this week, here is a re-release of episode 12 of the Coffeehouse Junkie audio podcast.

The Flood Fine Arts Center in Asheville, North Carolina was the home to poetry writing workshops I directed. One of the six-week workshops was called “Coffee at Albiani’s” and featured a syllabus and writing exercises. This episode features an essay from the syllabus entitled “The Echo” and two poems that were discussed during one of the sessions of the poetry writing workshop.

Listen to: Episode 012

If you have a question or request after listening to this episode please leave it in the comment section of this blog post and I will address it in the upcoming episode 15.

One final note: Episode 13 will be re-released early next week and episode 14 the end of next week. Thanks for listening!

The return of the Coffeehouse Junkie audio podcast is coming soon

Many, many moons ago in a far distant place there used to be a Coffeehouse Junkie audio podcast. For professional reasons I had to place it on hiatus for an indefinite period of time. In, short, I launched and produced nearly 500 audio podcasts for a national news group earning nearly 800,000 downloads in a little more than two years. Since those professional obligations no longer exist, it is time to resume some Coffeehouse Junkie audio podcasting.

There will be some new features to the audio podcast.

  1. A few topics that seem to be popular on this blog include writing, poetry and publishing. Since I have years of experience in the publishing industry, I will feature some episodes on a behind-the-scenes look at publishing.
  2. Additionally, I plan to open up the request lines (to use an antiquated terrestrial radio expression) . If you have read something on this blog that you would like me to address, I will plan an episode around that topic. Please include your name, Twitter handle and request in the comment section of this blog post.

I will re-release the last three episodes of  the Coffeehouse Junkie audio podcast in the next week or so to prime the pump for the relaunch. The last episodes released featured essays and poems that were presented and discussed in a poetry writing workshop I taught at the Flood Fine Arts Center in Asheville, North Carolina. Episode 12 will be re-released later this week, episode 13 early next week and episode 14 the end of next week.

Best reads of 2013

The best books I read in 2013 (that may or may not have been published during the calendar) follow an eclectic path―from fiction to poetry, non-fiction to graphic novels. Instead of providing a review of each book or why I consider it a “best read,” I will provide a quote from each book if possible.

1. A Wrinkle in Time by Madeleine Lengle

“A straight line is not the shortest distance between two points.”
― Madeleine L’Engle, A Wrinkle in Time

“Life, with its rules, its obligations, and its freedoms, is like a sonnet: You’re given the form, but you have to write the sonnet yourself. – Mrs. Whatsit”
― Madeleine L’Engle, A Wrinkle in Time

2. American Primitive by Mary Oliver

3. Blankets by Craig Thompson

“I wanted a heaven. And I grew up striving for that world– an eternal world- that would wash away my temporary misery.”
― Craig Thompson, Blankets

“How satisfying it is to leave a mark on a blank surface. To make a map of my movement – no matter how temporary.”
― Craig Thompson, Blankets

4. Bonhoeffer: Pastor, Martyr, Prophet, Spy by Eric Metaxas

“The worlds of folklore and religion were so mingled in early twentieth venture German culture that even families who didn’t go to church were often deeply Christian.”
― Eric Metaxas, Bonhoeffer: Pastor, Martyr, Prophet, Spy

“Bonhoeffer thought of death as the last station on the road to freedom.”
― Eric Metaxas, Bonhoeffer: Pastor, Martyr, Prophet, Spy

5. Channel Zero by Brian Wood

“…and all of a sudden, world cultures become the Monoculture, the same conversation, the same clothes, the same show.”
― Brian Wood, Channel Zero

“And, all over the world, one by one, we quit fighting it.”
― Brian Wood, Channel Zero

“It’s about learning how to give a shit again, about finding ways to make things better. It’s about anger as a positive force of creation. It’s about your right to not have to live in the world they’ve built for you.”
― Brian Wood, Channel Zero

6. The Cost of Discipleship by Dietrich Bonhoeffer

“Judging others makes us blind, whereas love is illuminating. By judging others we blind ourselves to our own evil and to the grace which others are just as entitled to as we are.”
― Dietrich Bonhoeffer, The Cost of Discipleship

“Cheap grace is the grace we bestow on ourselves. Cheap grace is the preaching of forgiveness without requiring repentance, baptism without church discipline, Communion without confession…. Cheap grace is grace without discipleship, grace without the cross, grace without Jesus Christ, living and incarnate.”
― Dietrich Bonhoeffer, The Cost Of Discipleship

7. For Whom the Bell Tolls by Ernest Hemingway

“For what are we born if not to aid one another?”
― Ernest Hemingway, For Whom the Bell Tolls

“The world is a fine place and worth fighting for and I hate very much to leave it.”
― Ernest Hemingway, For Whom the Bell Tolls

8. Jayber Crow by Wendell Berry

“What can’t be helped must be endured.”
― Wendell Berry, Jayber Crow

“This religion that scorned the beauty and goodness of this world was a puzzle to me.”
― Wendell Berry, Jayber Crow

9. The Old Man and the Sea by Ernest Hemingway

“But man is not made for defeat,” he said. “A man can be destroyed but not defeated. ”
― Ernest Hemingway, The Old Man and the Sea

“Perhaps I should not have been a fisherman, he thought. But that was the thing that I was born for.”
― Ernest Hemingway, The Old Man and the Sea

10. The Prodigal God  by Timothy Keller

“Jesus’s teaching consistently attracted the irreligious while offending the Bible-believing, religious people of his day. However, in the main, our churches today do not have this effect. The kind of outsiders Jesus attracted are not attracted to contemporary churches, even our most avant-garde ones. We tend to draw conservative, buttoned-down, moralistic people. The licentious and liberated or the broken and marginal avoid church. That can only mean one thing. If the preaching of our ministers and the practice of our parishioners do not have the same effect on people that Jesus had, then we must not be declaring the same message that Jesus did.”
― Timothy Keller, The Prodigal God

11. The Red Tent by Anita Diamant

“If you want to understand any woman you must first ask about her mother and then listen carefully. Stories about food show a strong connection. Wistful silences demonstrate unfinished business. The more a daughter knows about the details of her mother’s life – without flinching or whining – the stronger the daughter.”
― Anita Diamant, The Red Tent

“The painful things seemed like knots on a beautiful necklace, necessary for keeping the beads in place.”
― Anita Diamant, The Red Tent

12. River Inside the River: Three Lyric Sequences by Gregory Orr

13. Sailing Alone Around the Room: New and Selected Poems by Billy Collins

14. The Shallows: What the Internet Is Doing to Our Brains by Nicholas Carr

“What the Net seems to be doing is chipping away my capacity for concentration and contemplation. Whether I’m online or not, my mind now expects to take in information the way the Net distributes it: in a swiftly moving stream of particles. Once I was a scuba diver in the sea of words. Now I zip along the surface like a guy on a Jet Ski.”
― Nicholas G. Carr, The Shallows

“Culture is sustained in our synapses…It’s more than what can be reduced to binary code and uploaded onto the Net. To remain vital, culture must be renewed in the minds of the members of every generation. Outsource memory, and culture withers.”
― Nicholas G. Carr, The Shallows

15. Who Killed Homer?: The Demise of Classical Education and the Recovery of Greek Wisdom by Victor Davis Hanson, John Heath

“[We owe the Greeks] our present Western notions of constitutional government, free speech, individual rights, civilian control over the military, separation between religious and political authority, middle-class egalitarianism, private property, and free scientific inquiry.”
― Victor Davis Hanson, John Heath, Who Killed Homer?

The best books I should have read before 2013

Hemingway - book

The 2013 lists are in. From The Seattle Times[1] to The Economist,[2] from NPR[3] to Publisher’s Weekly[4] to The Paris Review[5] and even Bianca Stone’s Poetry Picks[6], everyone seems to be sharing the best books to read of the year.

In some unknown manner, I feel obligated as a reader, and a dabbler in spilled ink and exploded pens, that I should offer a list of best reads of 2013. However, when I look back at the last twelve months of reading material only a few of them were published in the last calendar year.

It is true that as a practice my family congregates at the public library at least once a week, sometimes more. And, since I am an agnostic[7] as far booksellers go, at least a couple nights a week myself and some family members can be observed wandering through the aisles of a Barnes & Noble or a used bookstore. Often I am disappointed in bookstores and libraries because they tend to focus on the bestsellers and popular trends rather than the well-written and perennial books.

So, maybe I should title the list, “the best books I should have read before 2013”. Next week I will share some of the best books I read in 2013 (that may or may not have been published during the calendar).

UPDATE: Here is my list best reads of 2013.

NOTES:
[1] The Seattle Times, 31 of the best titles of 2013
[2] The Economist, A bountiful offering
[3] Our Guide To 2013’s Great Reads
[4] Publisher’s Weekly, Best 20 Books of 2013
[5] The Paris Review, Best of the “Best”
[6] My Poetry Picks for 2013
[7] By agnostic, I refer to the lesser used denotation of the word meaning unwilling to commit to an opinion. This is my quiet response to local matters. Bumper stickers and posters decorate the downtown area declaring “Local is the new black” or “Choose Independents, Buy Local”. This is all well and good, but I am not dogmatic on the point. To demonize corporate retail outlets is a moral pretense that I disagree with on the grounds that the people of Asheville need work. In these economic hard times, any work is good work. Why should I shame one hard worker who is employed at Barnes & Noble and not also shame one hard worker who is employed at a local independent bookseller? Seems like undeserved discrimination to me. My preference is to visit corporate and independent bookstores alike and maintain a bookseller agnosticism in the hopes that neither employees of Barnes and Noble or Malaprop’s loss their jobs as they try to support their families and communities. And no, I am not running for city council.

What did I write?

Block print Christmas card

What did I write that got some much traffic?

A few weeks ago I noticed that the traffic on my blog spiked due to a post I wrote a year ago: “Advent Poems (or the 12 days of Christmas poetry)”.[1] At first, I thought it was a fluke, but for weeks now many of you have visited this blog. Many thanks! And I hope the Advent Poems are a blessing and encouragement to you this year.

Also, feel free to look around and enjoy other poetry related blog posts.

NOTE:
[1] Advent Poems (or the 12 days of Christmas poetry)

Thanksgiving by Ralph Waldo Emerson

Thanksgiving
By Ralph Waldo Emerson

For each new morning with its light,
For rest and shelter of the night,
For health and food,
For love and friends,
For everything Thy goodness sends.

Day 8 of the November PAD Challenge

Blank Visual Poem

The Biltmore Coffee Traders new addition is now open for customers. Willie Nelson singing from the house sound system. Earlier, Van Morrison and Dave Matthews warmed up a chilly, windy but sunny sort of November day as patrons enjoyed gluten-free breakfast cookies and granola bars.

It is day eight of the November PAD (Poem-A-Day) Chapbook Challenge (Details are available on Writer’s Digest website.). Senior Content Editor of the Writer’s Digest Writing Community offers this writing prompt for today: “inanimate object poem.” I have not used the prompts for this challenge. Though I am keeping track of the prompts for later use.

For a  gift, I received a limited printing of book on Korean poetry forms. So, the poems composed so far for this challenge have run in a vein of Japanese and Korean inspired forms. Though, to be fair, most of the compositions are corruptions of the poetry forms.

How about you? How has your November PAD Challenge gone so far?

As a bonus, if you want to play along, fill in the blanks with a poem to accompany the images posted above. Next week, I’ll post what I placed in the blanks.

The November PAD challenge begins

Biltmore Coffee Traders

It is the first of November, often celebrated as All Saints’ Day. For me, the day started out with cloudy skies and a light drizzle as I walked to Biltmore Coffee Traders.

It is also the first day of the November PAD (Poem-A-Day) Chapbook Challenge (Details are available on Writer’s Digest website.). Senior Content Editor of the Writer’s Digest Writing Community, Robert Lee Brewer, offers this writing prompt: “write an appearing poem.”

It is not necessary to use a writing prompt for the challenge, but it is a helpful tool. How about you? Have you started composing your first poem for the challenge?

November PAD is almost here

Over two months of writing a poem a day

Anyone interested in the November PAD (Poem-A-Day) Chapbook Challenge? Details are available on Writer’s Digest website.

It has been awhile since I mentioned the writing exercise I often practice of writing 30 poems in 30 days. A couple of years ago I stopped posting poems on this blog under the advice of a published poet. Poems posted on blogs qualify as “published” and therefore are ineligible to be published in a literary journal or magazine.

So, I started writing poems for friends and others on a manual typewriter and posting the photos—like this short poem for a fellow poet, writer and friend: “Some days all you need.” Or this poem written for the wonderful staff at Dunkin Donuts who always know my order and have it ready for me before I get to the counter: “Never look a doughnut dealer in the eyes.” It is not that I wouldn’t like to get published in a literary journal or magazine, but I really enjoy the process of writing to a specific person or persons.

Due to unemployment followed by new employment challenges, the practice of using the manual typewriter to compose poems ceased due to circumstances I can not share at this point. But I kept composing and writing offline—analog, if you will. In lieu of a manual typewriter, I discovered an app awhile ago. There’s always an app for something, right? During the last month or so, I composed several poem sketches. In the next weeks, I shall share some of these visual poems. Tomorrow, the first one will be posted.

For the month of November I plan to compose a poem a day. Who is with me?

The “elevated” platform of self-publishing

Poets and Writers - Self Publishing

For the last few years, Poets & Writers highlights the independent publishing scene in America. This year is no different.

Recently arrived in the post is the November/December issue of Poets & Writers. In the past, it has been my practice to read each issue from cover to cover. However, (and in light of my post last week that elicited much conversation: Are trade publishers gatekeepers?[1]), I abandoned protocol and started on the self-publishing special section.

As I am still reading and processing the articles in this issue, one item caught my attention that I would like to share. Reportedly, more than 391,000 books were self-published in 2012.[2] That is a large number of self-published books. To be honest, I may have read only a handful of self-published works that year. An article in Poets & Writers offer some perspective on the matter. I would like to learn your response to the following:

A highly regarded agent recently remarked that the odds are stacked heavily against self-published authors—that only three or four titles really “make a splash” each year.[3]

NOTES:
[1] Closing out the blog post, I asked: “What are your thought about publishers as gatekeepers?” One commented suggested that publishers “think that they are [gatekeepers], but they’re not. They are commercial retailers…. They buy what sells. The quality only needs to be high enough not to send readers screaming.” Someone else commented that “I depend on publishers to be gatekeepers. While I know that they publish a lot of crap and don’t publish a lot of great stuff… I still believe that the ratio of things I’d enjoy reading to things I wouldn’t is higher among traditionally published books than among self-published ones. I’m sure I miss some really great reads this way, but I just don’t feel I have time to wade through the slush pile myself.”
[2] Jason Boog, Galleycat, “Bowker Counted 391,000+ Self-Published Books Last Year,” October 9, 2013, accessed October 23, 2013, http://www.mediabistro.com/galleycat/bowker-counted-391000-self-published-books-in-2012_b78844
[3] Kevin Larimer, Poets & Writers, “Self-publishing Perspectives,” November/December 2013

The return of Strange Familiar Place to print

Comic Stroll 2013

After a long sabbatical, Hudson and Heather Stillwater return to print in the comic strip “Strange Familiar Place,” a slice-of-life drama. Previously unpublished comic strips of “Strange Familiar Place” are now available in limited distribution in the fall issue of Comic Stroll, a publication of the Southeast Chapter of the National Cartoonist Society (SECNCS).

One of the SECNCS members provided me copies of Comic Stroll on Monday. Later this week, copies will be distributed at the annual SECNCS meeting as well as VA and childrens hospitals in the region.

Make your lives extraordinary

During the last few weeks I have read an exhaustive non-fiction book on one of the darkest times of modern history. The result of reading such a book penetrates my soul. I wish I had time to share my thoughts and feelings regarding the book I finished reading, but due to mega commuting and long work hours allow me to share this video that merely scratches the surface of what captivates my thoughts.

Are trade publishers gatekeepers?

First quarter books

In a book cover designer LinkedIn group, the question came up, Do you think publishers are “gatekeepers?”[1] (For reference, please read this blog post provided by Dave Bricker.[2])

Too often I read self-publishers complain how the Big Six dominate retail/distribution options. Or trade publishers denigrate self-publishers as buffoons. In Dave Bricker’s blog post, he  offers that it is not an “us versus them” scenario. It is a competitive marketplace. Both publishing options are viable. Additionally, both options are equally challenging.

One contributor offered that publishers are like brands. While another contributor reminded the group that publishing is a business.

The article sparked additional thoughts in a different, yet related, line of thinking. First, if trade publishers are brands, should they publish inferior quality literature simply because it’s good business? Next, if publishers do pursue that path, what does that say of their brand?

Dave responded to my questions in this manner:

We indie publishers enjoy the luxury of indulging in a bit of artistic snobbery, but we don’t have conglomerates to support and we’re rarely presented with the opportunity to grow rich by “selling out.”

Ultimately, I suppose we’re all trying to make money and offer the highest quality books we can. One could make a compelling argument that a single “less than excellent” blockbuster could finance a whole lot of artistic expression. It’s a bit like wildlife advocates supporting zoos. A little captivity is acceptable if it supports a certain amount of conservation in the wild.

I love that line: “It’s a bit like wildlife advocates supporting zoos.”

What are your thought about publishers as gatekeepers?

NOTES:
[1] Dave Bricker, LinkedIn group, book cover designer, “Gatekeepers and Self-Publishing,” December, 2012 accessed October 13, 2013 Gatekeepers and Self-Publishing
[2] Dave Bricker, TheWorldsGreatestBook.com, “Gatekeepers and Self-Publishing,” November 25, 2012 accessed October 13, 2013 Gatekeepers and Self-Publishing

What poets wear

What Poets Wear

When you think of poets gathering together, what you see? What impression do you have of poets? Do all poets wear black turtlenecks, coordinating berets and dark sunglasses?

There appears to be a cultural impression of poets that promotes stereotype or mythos. Years ago I read a biography of a well established senior poet who was visited by a younger, celebrated poet of the next generation. The long-time partner of the senior poet observed that the younger poet was more enamored by the mythology surrounding the senior poet than the actual, published work of the senior poet. Similarly, our culture seems to have that perception of poets—they are more interesting to observe as an unusual creature of bizarre habits and deviant ways rather than an artist of lyric and verse.

Do you see that as well?

Another aspect to this impression informs young and/or aspiring poets that they need to act or behave in a certain manner because that is what culture dictates—that is how poets are supposed to act. If young/aspiring poets do not participate in the activity of cultural stereotypes, they tend to think that their craft is illegitimate and they will not be taken seriously for their poetry. Further, what impact will this have on the actual art created by young/aspiring poets? Will it change the subject matter of their work? And so on.

Has anyone else observed this?

This weekend I joined some local poets downtown. There were no black turtlenecks or berets worn. Someone did wear a pair of dark sunglasses. And no, it wasn’t me.

Does this make me look Luddite?

Image Luddite

When I looked at my office desk earlier this week, this question came to mind: Does this make me look Luddite? On the desk was a book on the subject of graphic design, a daily desk diary, a periodical, a mechanical pencil (not pictured), a tin of tea and cup of tea (also not pictured) and a smartphone (not pictured, because it was used to capture the image).

It does not escape my attention that I could use an internet search engine to locate similar content that I found the printed book. But I chose the book. And there are plenty of cloud based software applications that I could use to plan and track daily activity. But that was not my choice. A mechanical pencil is easily replaced with a keyboard and mouse. Again, that was not my choice. To my knowledge, tea cannot be digitized. At least not yet. And the smartphone. Well that is a device that continues to intrigue and perplex me. It is advertised to make life easier, smarter. But I have yet to get it to produce a good cup of Earl Grey tea on a misty morning when I’m tearing down the mountain to get to the publishing house to invest in another book project.

What is the first poem you read?

Poem Quote - Trees

My grandfather often recited “The Raven” to me when I was I child. I memorized portions of the poem before I was able to read it. Once I was able to read “The Raven”, I was fascinated by how different the poem looked in print compared the how I experienced the recited work. Poe became an early favorite poet to my younger self.

The very first poem I read (and enjoyed) in primary school was “My Beard” by Shel Silverstein. Later, in junior high, I read “Chartless” by Emily Dickinson and “If” by Rudyard Kipling. That poem became a constant reminder to me during difficult years in a rural country high school.

The public library in that small village where I lived during those high school days primarily carried poetry books of Robert Frost and John Greenleaf Whittier. Their poems became early favorite poets. The university library was a sacred place once I discovered Edmund Spenser and many other books of poetry.

Compared to the small village library, the university library was one of the wonders of the world to my developing mind. “Trees” by Joyce Kilmer is one of my favorite poems of all times. The first book I bought at an antiquarian bookshop had that poem in it. That anthology remains one of my treasured books.

I asked friends on social media a few weeks ago: What is the first poem you read and enjoyed? Here’s a list of some of those poems:

  • Margaret Atwood’s “You Are Happy”
  • Whitman’s “Song of Myself”
  • Edgar Alan Poe’s “The Raven”
  • “Stopping by the Woods on a Snowy Evening” by Robert Frost
  • “Snowbound” by John Greenleaf Whittier
  • “Jabberwocky” by Lewis Carroll
  • Wordsworth’s “Daffodils”
  • “Trees” by Joyce Kilmer

This is a good selection and variety of poetry and poets. What about you? What’s your story? What is the first poem you read and enjoyed?

Found poem commemorating AVL 100TPC 2013

As promised last week, here is a found poem I constructed based on the poets who read at the Asheville 100 Thousand Poets for Change event.

Poem for 28 September, 2013

Do not wonder when I say it directly to your ear,[1]
“I am writing a letter to my dead sister. . . “[2]

We anticipate the leap into freedom. [3]
We make our vows in the beach dunes. [4]
We need visual signs of healing. [5]

All that remains is the small few. . . [6]
A home where the family never can return. [7]

They sold their own inheritance. . . [8]
And must return to the center. . . to learn more. . . [9]
It is possible to have everything. . . or at least twenty dollars. . . [10]

NOTES: Each line in this found poem is from the following poets who read at the Asheville 100 Thousand Poets for Change event on September 28, 2013.

[1] Britt Kaufmann
[2] Barbara Gravelle
[3] Steve Brooks
[4] Jeff Davis
[5] Jessica Newton
[6] Jeff Davis
[7] Caleb Beissert
[8] Britt Kaufmann
[9] Jessica Newton
[10] Brian Sneeden

100TPC Quote Brian Sneeden

100TPC QUOTE Sneeden

From 100 Thousand Poets for Change Asheville, a quote from a poem by Brian Sneeden: “It is possible to have everything… or at least twenty dollars…”

100TPC Quote Britt Kaufmann

100TPC QUOTE Kaufmann

From 100 Thousand Poets for Change Asheville, a quote from a poem by Britt Kaufmann: “They have sold their own inheritance…”

Barbie Angell – Writer, Poet, Artist, Thinker – Returns to Illinois for a Few Performances

dreamspider's avatarDreamspider's Blog

Barbie Angell – Writer, Poet, Artist, Thinker –
Returns to Illinois for a few Performances

Fri 10/4 – 7-11pm “Just Jim” and “Fun Poetry Show”
VFW Cantigny Post 367 Joliet, IL
Mon 10/7 – Salt Creek Wine Bar’s Open Mic – Brookfield, IL
Sat 10/12 – 2pm Downtown Normal Roundabout

“Barbie’s poems are reminiscent of Shel Silverstein, but totally unique to her sensibility. They are infused with a bright spirit, a heart that seeks & explores, and a gentle insight. Even though the poems are about the gamut of human emotions & the subtle twists of perspective that happen with repeated experience, her words are never proselytizing or lofty. Her ‘anthropomorphizing’ of feelings (‘irony tastes like fudge’) is quirky & engaging. I imagine children & adults both will revel in her work—both her poetry & her wonderful drawings”
~ Rosanne Cash

Barbie Angell is a poet, short story writer, satirist…

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100TPC Quote Caleb Beissert

100TPC QUOTE Beissert

From 100 Thousand Poets for Change Asheville, a quote from a poem by Caleb Beissert: “A home where the family never can return…”

100TPC Quote Jessica Newton

100TPC QUOTE Newton

From 100 Thousand Poets for Change Asheville, a quote from a poem by Jessica Newton: “We needed visual signs of healing…”

100TPC Quote Barbara Gravelle

100TPC QUOTE Gravelle

From 100 Thousand Poets for Change Asheville, a quote from a poem by Barbara Gravelle: “I am writing a letter to my dead sister… “

100TPC Quote Jeff Davis

100TPC QUOTE Davis

From 100 Thousand Poets for Change Asheville event last weekend, a quote from a poem Jeff Davis read: “We made our vows in the beach dunes…”