Just a few more days until the Asheville 100 Thousand Poets for Change event!
Join Caleb Beissert, Steve Brooks, Jeff Davis, Davon Dunbar, Barbara Gravelle, Shanita Jackson, Britt Kaufmann, Matthew Mulder, Jessica Newton and Brian Sneeden at Sly Grog Wine and Beer Lounge (The Downtown Market, 45 South French Broad Avenue, Asheville, North Carolina), Saturday, September 28, 2013, 7 PM – 9 PM.
Here is your official invitation to join a global event called: 100 Thousand Poets for Change.
The Asheville event will be held September 28, 2013, 7 PM – 9 PM at Sly Grog Wine and Beer Lounge (The Downtown Market, 45 South French Broad Avenue, Asheville, North Carolina). Featured poets include: Caleb Beissert, Steve Brooks, Jeff Davis, Davon Dunbar, Barbara Gravelle, Shanita Jackson, Britt Kaufmann, Matthew Mulder, Jessica Newton and Brian Sneeden.
Use the hashtag #100tpcAVL when sharing details about Asheville’s 100 Thousand Poets for Change event.
For more information, or if you have questions, please leave a comment. Thanks!
UPDATE: Here’s a PDF file of the event poster for 100 Thousand Poets for Change Asheville event next week. Download here: 100TPC AVL Poster.
With 11 days to go before the global event, the Asheville event planned in coordination with 100 Thousand Poets for Change (100tpc.org) will feature many local poets. Sly Grog Wine and Beer Lounge will host the event September 28th, 7PM – 9 PM. More details will be presented later this week.
The origin of Friday the Thirteenth, as told by Damond Benningfield, comes from Norse mythology.[1] He writes:
First comes the fear of the number 13. According to one tale, 12 Norse gods held a banquet at Valhalla. A thirteenth god — Loki, the spirit of evil — tried to attend…
If you believe that the Norse have little impact on modern culture other than to inspire Marvel comic book movies (and an Emmy nominated television series on the History channel, Vikings), keep in mind the days of the week are named after Norse gods (Tiu’s Day, Woden’s Day, Thor’s day and Freya’s day). Here’s what Benningfield writes about Freya’s day:
Mythology says that when Norse tribes converted to Christianity, Freya was called a witch and banished to a mountaintop. There, every Friday, she hosted a coven of 11 other witches plus the devil — 13 in all — to plot vengeance against her former believers.
So, TGIF. And while you are in enjoying the day, give a listen to Óláfs Saga Tryggvasonar in the Viking language.[2]
NOTES:
[1] You can read the details at Star Date, “Friday the Thirteenth”: http://stardate.org/radio/program/friday-thirteenth
[2] Learn from the Viking Language series: https://soundcloud.com/viking-language/lesson-3-5-l-fs-saga
After a very long hiatus, “Strange Familiar Place” will be back in print. Or at least it will be in a very limited capacity. More details on that later.
The creative non-fiction comic “Strange Familiar Place” first appeared in The Indie. Inspired by the works of Harvey Pekar, Jessica Abel, and Eddie Campbell, I wrote and illustrated “Strange Familiar Place.” Eventually I collaborated with illustrator and comic book artist James E. Lyle on six comic strips.
Comic Stroll, a publication of the local chapter of the National Cartoonist Society, will feature that collection of previously unpublished comic strips. Read the evolution of what started as a couple drawings and became a creative non-fiction comic:
More details about Comic Stroll distribution will be made available later.
It is an early summer morning. It rained the night before as I walk a mile or so before I climb into the car for the morning’s mega commute. The parking lot near my home is dappled with puddles slowly evaporating. It reminds me of when I first started taking black and white photographs in high school. One of my favorite subjects was reflections of the sky in puddles.
I don’t remember what initially attracted me to the subject matter, but I remember loading a 35mm SLR manual camera–either an Olympus or a Pentex–with a spool of film, pulling the leader and lining the sprocket holes with the sprockets, securing the leader to the spindle, closing the back door and advancing the film a couple frames. I’d sling the camera over my shoulder and head outdoors to capture a surreal glimpse of the heavens from the perspective of puddles on asphalt. Or pools of water on gravel roads or a grassy field.
After collecting images captured and hidden on a roll of exposed black and white film, I returned to the darkroom at the high school and processed the film. First developing the amber film strips and then placing it in the enlarger to make prints. The way the image emerged from the paper as it floated in the developer solution was no end of amazement for me–like watching an unseen ghost suddenly materialize. The image of a lamp post in a puddle near the grainery, the water tower with clouds dancing from the pavement, the side of the building of the Coal Miner’s bar on Main Street or a self-portrait reflecting in a pool of water in an alley.
Something about a reflection seen from a different perspective captivated me. How can I look at a subject differently? How can I view it from a different angle–another perspective? I guess that’s how I approach a lot of things today–asking myself, What’s the wider context? Some days I just need to take a long walk on an early summer morning and look for those puddles, search for a different angle of the sky, watch the fog on the mountain tops from a mud puddle. Maybe a distorted, impressionistic reflection will inform me of something I didn’t see before.
What do you mean by audience of one? one reader replied to “Keep calm and write something.” He is referring to how I concluded a blog post: “If I have an audience of only one, that is sufficient.” So, what does that mean, an audience of one? …
[read more]
UPDATE: This blog post is available as part of an audio podcast.
Listen now:
Or listen on:
PodOmatic: coffeehousejunkie.podomatic.com
SoundCloud: soundcloud.com/coffeehousejunkie
E-book: This blog post will be featured in a forthcoming e-book. More details coming soon.
Back in January I submitted more than 50 poems to various publishers. So, how many poems have been accepted? or rejected? More on that later….
[read more]
UPDATE: This blog post is available as part of an audio podcast.
Listen here:
Or listen on:
PodOmatic: coffeehousejunkie.podomatic.com
SoundCloud: soundcloud.com/coffeehousejunkie
E-book: How long does it take to write a haiku?: and other stories
Purchase the e-book Kindle Edition for $0.99!
What do you think about when you see a stack of books? In this short collection of stories you will also learn what a creative director thinks of when he sees a stack of books. Who is the audience for your poems? Is possible to write in your sleep, or not?
Over the weekend, an editor made a comment on Facebook that got me thinking about the question, how did you come to poetry?
My response is not an academic reply. The mechanics of poetry make the art good and great. But the best way to ruin poetry for young minds or new readers, is to have people study the architecture of a poem–its meter, rhyme, enjambment, stanzas, etc. Is this the way you learn about a new home? When you enter a friend’s home for the first time, do you inquire as to house’s foundation (is it a slab foundation?), framing (stick frame or post and beam?) or roof (you get the point)? So why do educators insist on destroying poetry for young readers? Make the home inviting. Make poetry inviting.
As a poetry reader, I approach a poem (or body of poems) as I would a new home of a friend I just met. I enter the door, look at the paintings on the wall, run my fingers along the spines of the books on the shelf, scan over the vinyl collection beside the stereo and sit on the futon near the front window. This is how to see what the poet sees through the window of the poem. This is when I see what the poet says about love, injustice or various other subjects and topics.
Not all poems are created equal. Sometimes I get the impression that someone or something is shouting at me from an open door. I tend to quicken my steps along the street and find a more inviting home–a more inviting poem.
Poetry is not something I studied in school. There were, of course, the required literature classes, and some teachers that opened the landscape of great poetry and prose. But for me, someone left the back door to the house of poetry open and I slipped in to explore. A house doesn’t seem so intimidating or formal when you enter, casually, from the backdoor.
The preamble.
Since Sunday was Father’s Day and since it seems like my brief, lunchtime glimpse into the strange land of Facebook yielded streams of my-dad-is-wicked-cool accolades, I thought I’d revisit something I wrote a little more than a year ago.
1.
On a school playground miles to the east of the river explorers named Holy Cross, an older classmate told me that my father was not a real man because he had the word reverend in front of his name (like some men have the words officer or doctor in front of their name). So, I did the only civilized thing I could think of at the time and challenged him to a fight. I had read of such noble duels in books. And that began question, what is a real man? There’s a lot more to that story, but you will have to read that another time, but that set the for stage learning about true masculinity and ultimately fatherhood.
2.
Upon being a father for the first time, a friend suggested I read a book called Wild at Heart. I did not get very far into reading this book for a couple of reasons. One reason is the author’s gobbledygook claim that real men do not work in offices or cubicles and that real men are found kayaking down rivers in Colorado. [1] Another reason for putting the book aside is doctrinal error. [2] Iron John is another book on masculinity, or maybe it should be better described as the masculine mythos. [3] The author claims it is more of a fairy tale than a book about men, but he strikes a chord with the need for fathers to be present and be part of the process of the maturation of boys to manhood and fatherhood. [4] One book that made the most impact on my thoughts on masculinity and fatherhood is a book that is now out of print, Missing From Action. [5] It’s more of a history book about American masculinity, but a very good read. Again, I have more thoughts on these books and what I’ve learned, but you’ll have to read that at another time.
Here’s the piece, as it appeared last May:
Are You Dad Enough?
What do you think about all the reaction to TIME magazine’s recent cover featuring an attractive blonde mother breastfeeding her son? [6] [7] [8] [9] The fact that a nurturing mother evokes such outrage is amusing to me. [10]
This public response to a magazine cover begs the question (at least in my mind): would TIME ever run a story titled “Are you Dad Enough?” and cover the nurturing aspects of fatherhood? [11] Another question that comes to mind is: when was the last time you saw a father portrayed as a responsible father on the cover of TIME magazine? Or any other mainstream periodical for that matter? Has the model of a loving father vanished from the landscape of American culture? [12]
Plenty of examples of fathers are portrayed on television, but I’m not talking about the Tim Allen “Aarrrgghh, Aarrrgghh, Aarrrgghh” type dads who think going to a sporting goods store is fatherhood. Nor am I talking about the According to Jim beer-guzzling, television-watching, misogynists who seem to mess up everything and then Cheryl has to come in and fix the problems before the end of the show. [13] This portrait of American dads is degrading to those fathers out there who manage to change a child’s diaper, wash the dishes, do the laundry, fix a plugged tub on a Sunday morning when everyone needs a bath before church, [14] play trains with the younger children or stick ball with the older ones, and, in general, serve and sacrifice for their family. [15] I know plenty of fathers who are working crumby jobs just to feed their families and take care of their homes. They sacrifice their own dreams and aspirations because that’s what dad’s ought to do.
Now there are plenty of derelict dads out there who sit around and play video games all day, try to be cool with their kids and consider their children cultural objects. They are poor examples of fatherhood. Dear boy-dads, grow up. You are fathers now. You are no longer cool, hip, or awesome. Fatherhood is a difficult, thankless but ultimately rewarding vocation. Fathering a child only takes moments. Fatherhood is a lifetime commitment. Join the ranks of nurturing, responsible fathers and own it with dignity and grace. [16]
NOTES FOR THE PREAMBLE:
[1] Full disclosure: I never finished reading Wild at Heart because I was so put off by the author’s logical fallacies… I mean, did the author not consider that some of those real men he is insulting work in a dimly lit publishing company office preparing his book for the masses and on the weekends they may have the adventure of kayaking down a Colorado river?
[2] Tim Challies, “Book Review – Wild At Heart,” June 3, 2004 accessed June 17, 2013, http://www.challies.com/general-news/book-review-wild-at-heart
[3] One book reviewer summarizes the book best, stating: “Iron John’s thesis is provocative yet simple: fathers aren’t doing a very good job of raising their sons because they are “absent” and also because our culture has lost the use of ritual in marking off the phases of maturation.” Read the rest of the review here: Brian Charles Clark, “Iron John: A Book About Men,” 2005 accessed June 17, 2013, http://www.curledup.com/ironjohn.htm
[4] Here’s a quote from Iron John: “The inner boy in a messed-up family may keep on being shamed, invaded, disappointed, and paralyzed for years and years…. Most American men today do not have enough awakened or living warriors inside to defend their soul houses. And most people, men or women, do not know what genuine outward or inward warriors would look like, or feel like.” But don’t take my word for it, buy a copy and read it for yourself.
[5] It is difficult to find a copy. You may want to try a search on AbeBooks.com. UPDATE: I located a website that hosts the content of Missing From Action, accessed June 17, 2013, http://www.ccel.us/missingfromaction.toc.html.
NOTES FOR ARE YOU DAD ENOUGH?:
[6] In my opinion, the reaction to the “Are You Mom Enough?” TIME cover is a combination of paleo-puritanism, meso-feminism, and neo-idiocy. Accessed June 17, 2013, http://www.time.com/time/covers/0,16641,20120521,00.html
[7] “Mika Brzezisnki… suggested on the air that the cover was needlessly sensational…” in the article TIME Magazine cover of breastfeeding mom sparks intense debate on “attachment parenting.” Accessed June 17, 2013, http://www.cbsnews.com/8301-204_162-57432374/time-magazine-cover-of-breastfeeding-mom-sparks-intense-debate-on-attachment-parenting/.
[8] “Time magazine staff writer Kate Pickert defended the cover” saying “I think that we knew it would be a provocative cover but we’re thrilled that lots of people are responding to it… We’re happy to see that we’ve sparked a great conversation.” Read more: Breast-Feeding Time Cover Mom Responds to Critics. Accessed June 17, 2013, http://abcnews.go.com/blogs/lifestyle/2012/05/breast-feeding-cover-mom-responds-to-critics/.
[9] “There is no doubt that the TIME cover strikes the public as shocking. But, as Pickert points out, the women featured are at one extreme end of this always-controversial discussion.” Read: Jamie Lynne Grumet, Breastfeeding Mom On ‘TIME Magazine’ Cover, Illustrates Attachment Parenting. Accessed June 17, 2013, http://www.huffingtonpost.com/2012/05/10/jamie-lynne-grumet-breastfeeding-time-magazine-cover_n_1506096.html.
[10] It is no longer shocking. At least, not to me. But maybe that’s because, as a culture, Americans are desensitized to shock. What really shocks us, as Americans, any more?
[11] Can you imagine a bare-chested attractive father on the cover of TIME magazine? Okay, maybe a bare-chested Brad Pitt with his children might sell magazines. The truth is, magazine publishers need to sell magazines and a female with suckling will sell more copies to the over-sexualized masses than a cover of the opposite proportions. Think of the last few covers of TIME magazine that featured a male figure. Almost all of those covers feature men of power and influence. Has there ever been a magazine cover featuring a nurturing father?
[12] If I were a conspiracy theorist, I might propose that there is a war on true, masculine fatherhood in America. But I’m not a conspiracy theorist. Just thought I’d beat you to the punch before I get pushed into that corner and painted as a FoxNews-watching/ditto-head/wing-nut. Which I am not.
[13] The only role model on television I can recall that resembles those two characteristics is Heathcliff Huxtable of The Cosby Show.
[14] Not that I’m using personal examples to boast of more “real” dad credentials, but fatherhood is about serving and sacrificing.
[15] That is where the “amen,” “hell-yas” and other forms of applause is supposed to go. Read this post again and respond accordingly.
[16] This post started out as a light-hearted, tongue-in-cheek imagining of a bare-chested father on the cover of TIME magazine, but became a rant. Apologies for the sudden fury. And blessings to those who actually read the small print.
[17] PHOTO CREDITS: Though I created the mock TIME magazine cover, I found the retro father with children photo on this Tumblr page.
That’s the question I asked myself when I saw four copies of Outliers and three copies of The Tipping Point at the downtown public library. Does the library need that much Malcolm Gladwell? Yet, I can hardly find seven books written by Vonnegut. I was able to locate at least seven books by Hemingway but not all that much on Steinbeck. The experience got me thinking.
Gladwell’s book The Tipping Point is an interesting book, but how will it stand up over the years? It’s a bestseller now, but in 50 years, or 100 years, will it still be impacting readers?
Along a parallel track, will your favorite blogs have the same readership in 50 years? Some of the blogs I used to enjoy reading eight years ago have disappeared from the webosphere a few short years ago and the writer’s voice I looked forward to hearing is no longer there.
But books remain. Whatever their legacy, they have a space, or more, on the bookshelves of a library. At least for now.
Just wanted to say thanks to all who have purchased an ebook version of Late Night Writing. Your support means a lot to me.
Since the book’s re-release as an ebook, it has sold more copies as an ebook in less than two months than it did in the first year of its release as a print book.
Hope you enjoyed reading Late Night Writing. If you like this title, you may also like some of the forthcoming ebooks that are scheduled for release. More details are forthcoming.
Again, thanks so much for your support of Late Night Writing!
Normally, I don’t reblog material from other blogs, but this is such an interesting piece about chained libraries. Hope you enjoy the read as much as I did.
By Jenny Weston
On a beautiful sunny day last week, the Turning Over a New Leaf project team decided to take a day off from the office to visit a spectacular chained library in the small town of Zutphen (located in the eastern part of the Netherlands). Built in 1564 as part of the church of St Walburga, it is one of only five chained libraries in the world that survive ‘intact’—that is, complete with the original books, chains, rods, and furniture.
Needless to say, it was a rather surreal moment for all of us to step into the little room to see the dark-wood lecterns, upon which were placed (in neat rows, side-by-side) beautiful 15th- and 16th-century books, secured in place by metal chains.
Looking closer, it is possible to see just how the chained-library system works. Each book is fitted with a metal clasp, usually on the back cover…
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What do you think of when you look at a stack of books?
Maybe, so many books, so little time. Or, can’t wait to get home and read this novel/memoir/biography tonight after supper….
[read more]
UPDATE: This blog post is available as part of an audio podcast.
Listen here:
Or listen on:
PodOmatic: coffeehousejunkie.podomatic.com
SoundCloud: soundcloud.com/coffeehousejunkie
E-book: How long does it take to write a haiku?: and other stories
Purchase the e-book Kindle Edition for $0.99!
What do you think about when you see a stack of books? In this short collection of stories you will also learn what a creative director thinks of when he sees a stack of books. Who is the audience for your poems? Is possible to write in your sleep, or not?
Someone asked how many of today’s poets are also philosophers?[1] The question presents some assumptions. One assumption is that poets merely express themselves in literary work through distinctive style and rhythmic fashion. This notion tends to present the emotional aspect of poetry, but ignores the intellect of poetry. There is a dichotomy to poetry that mingles and merges into philosophy. The study of knowledge, reality and existence is at the core of philosophy, and the expression of these ideas is at the center of poetry.
Readers of poetry know that the subject matter of most serious literary poetry is an investigation of knowledge, reality and existence. One might argue, that light verse also presents a philosophical truss and girder to the support of the work. Truly, poetry puts a face on ideas, clothes abstractions in tangible, beautiful garments and builds images from the exploration of the meaning of life.[2]
Western philosophy began in 6th century BCE. It interesting to me that before philosophy there was poetry. Hesiod composed Theogony more than 100 years before Thales of Miletus and the Pre-Socratics. About that time period Homer released the Iliad. It is not by accident that poetry informs philosophy nor that poets birth philosophical conversations.
To address the question that sparked this post, I’m still considering the question of who I might regard as a great modern poet philosopher. My mind runs in two veins: one is the craft of the poet (i.e. the strength of the literary work) and two is the ideas of the poet (i.e. the strength of the logic and rhetoric of the argument). A couple of modern poets come to mind, but they have long since passed from this world. Two names of living poets simmer in the back of my mind. What do you think? How many of today’s poets are also philosophers? Are you a poet? Do you consider yourself a philosopher? What examples of philosophy do you find in poetry?
NOTES: [1] Gael, “Wondering how many poets are also philosophers and intuitives as well as creative.?” LinkedIn, April 21, 2013 accessed May 6, 2013 http://www.linkedin.com/group.
[2] There is a whole discussion that could be had regarding avant-garde poetry and the challenges with poetic forms that are not accessible to the average reader, but this post deals only with the question of philosophy as it relates to poetry.
Have you ever typed a message into your smartphone and the autocorrect delivers an amusing sometimes intriguing option? That’s were the title of this post comes from. I was trying to text: scrambled eggs and toast please. Don’t ask. It’s been a long weekend, but I wanted to provide an update to a February post [1] where I detailed the number of poems submitted to publication and how many have been accepted. And the grand total is: none. I haven’t heard from all the publishers yet, but so far it has been rejection letters and emails. [2]
And now, scrambled eggs and poets.
It is a rare evening these days when I am able to attend a literary reading in my adopted hometown. The Juniper Bends Reading Series for May [3] featured Mandy Gardner, Collin Garrity, Rose McLarney and Jerry Stubblefield. I arrived late, but enjoyed a truly amazing reading. The highlight, for me, was Rose McLarney’s reading. It had been almost seven years since I first heard Rose McLarney read her poems at the Black Mountain College Museum + Arts Center. And since then, her acclaimed collection of poems was published by Four Way Books. [4]
After the reading concluded, and this is where things get a bit scrambled, I waited with others to chat with the poets and writers. The longer I waited the more I wanted to ask her about the publishing process. How did she manage to get her collection published? What tips would she recommend? You know, all those predictable, pithy questions unpublished poets ask published poets.
And then, like Billy Pilgrim, [5] I sort of time travelled. No longer standing inside the crowded Downtown Books & News, [6] it was night and I was walking up Eagle Street toward Pack Square Park with a poet how was asking me, “How do I get my poems published? What tips do recommend?” With my experience in publishing, I began telling her any information that I thought might help. And then, as we were parting ways, I was telling her not to sweat it, “When the poems are ready, the audience will be there.”
And then, I time traveled back to May 2013, it was night again. I walked to my auto as a SUV full of kids drove by with the windows down. Their ruckus noise spilt onto the street. They slowed and someone threw hot pennies at me. They sped away. Why do kids heat pennies with cigarette lighters and throw them at complete strangers? I entered my car and drove home saying, “When the poems are ready, the audience will be there.”
More scrambled eggs and poets.
Scrambled yet? Don’t worry. It’s Monday. You have the whole week ahead of you.
Let’s do some more time traveling. Last year, I provided some teasers for an upcoming book. [7] The manuscript is nearly novel length and I’ve sought out a couple editors to assist me. Truly, this is not a story I wanted to write, but it has found me and apparently an audience.
NOTES:
[1] So far, I’ve submitted almost 70 poems for publication. You can read the details in the post: 50 poems in 30 days
[2] Why do poets write, if not to be published? These thought have occupied my thoughts since last week’s post.
[3] Juniper Bends Reading Series
[4] Four Way Books
[5] Everyone knows who who that is, right? And if you have to google it, just know that it is not the American folk musicians from Atlanta.
[6] Downtown Books and News
[7] You may read the teasers here
![...any road wil get you there.[1]](https://coffeehousejunkie.net/wp-content/uploads/2013/05/tumblr_mlgvegmtir1qz6f9yo1_500.png)
A few years ago I sat in a writing workshop and noticed that I was the only member of the group under the age of 50 years old. Further, most of the students at the workshop had been working on a memoir or a novel or something that began at a university. Now enjoying their retirement, the nostalgic desire to complete these literary works grip those writers who had been dribbling out small passages of poetry and prose for what seems to be my lifetime.
I determined at that time to set writing goals and not let time slowly bleed me of creative efforts. So, I adapted some of the productivity and time management skills I use at work to my writing life. Here’s some productivity, or time management, habits I practice at the office.
1. Don’t check email first thing in the morning.
At the office, I schedule two times a day were I read and reply to emails: once in the morning and then again in the afternoon. If I reply to every email that lands in my inbox at the moment it arrives, I would spend more than half the work day reading and replying to emails. I found that if I batch tasks, like emailing, I can maintain focus on accomplishing those tasks more efficiently.
2. Make a list.
First thing I do when I get to the office is make a list. This is a combination of project management and mind-sweeping. This activity allows me to organize and prioritize large and small tasks for the day and week.
3. Declutter the desktop.
This is something that is both on- and offline. And by “declutter” I don’t mean empty your desktop of everything. Declutter has to do with a collection system. How do you collect the papers or files? Years ago I began the practice of collecting items in folders based on the 43 folders system. Here’s how it is presented by Merlin Mann:
Again, the goal of this practice is not to have a clean, empty desktop, but a productivity system in place to help get things done.
4. Plan. Revisit the plan. Stay on task.
Your co-workers and supervisors think every task is an emergency and everything is a priority. Planning and staying on task is one of the most annoying practices my co-workers and supervisors must endure. Yet, unless I identify the goals and chart a trajectory to hit those goals, I’ll never me able to meet deadlines on time or successfully accomplish projects. How does the old adage go? If you don’t know where you’re going, any road will get you there.
Let’s do this!
Avoid waiting until you retire to complete that novel you’ve been working on, or that collection of poems you’ve been tinkering with for years. Find a writers group that can help you with accountability and encouragement. It is written that no one knows the number of his or her days. Our life is a shadow.[3] Whether it is writer’s block, procrastination, internal or external distraction, find that writing project you’ve been working on and commit to finishing it.
NOTES:
[1] Source: This Isn’t Happiness, accessed May 8, 2013 http://thisisnthappiness.com/post/48296644589/any-road
[2] Merlin Mann, “Getting started with ‘Getting Things Done’,” September 8, 2004 accessed May 4, 2013 http://www.43folders.com/2004/09/08/getting-started-with-getting-things-done
[3] Shane Claiborne, Jonathan Wilson-Hartgrove and Enuma Okoro, Common Prayer: A Liturgy for Ordinary Radicals (Zondervan, 2010), 271.
This is a question like a sliver that gets under your skin. It is like that wood splinter you received from running your hand along a wooden fence and the painful acceptance of it to the soft spot below your thumb sends you to the medicine cabinet where you try to remove it with tweezers. But it’s too deep and requires a poultice to draw the splinter to the surface for removal. It is that way with answering the question, why do poets and writers write?
In an online discussion[1] of poets and writers and arm-chair philosophers, I offered this to the ongoing conversation: Emerson wrote that “The poet is the sayer, the namer, and represents beauty.”[2][3] This rings true as to why writers write. Years ago I heard someone say, “We are God’s poème.”[4] (Poème derives from the Latin word poema meaning poem.) I have often pondered that as an answer for why writers write and wonder if that is what Emerson had in mind when he wrote those lines. We are God’s poem, that is why we say, name, and represent beauty.
What are your thoughts on the matter? What motivates you to write? and why?
NOTE: [1] Renée, “Why write?,” LinkedIn, April 25, 2013 accessed May 6, 2013 http://www.linkedin.com/group.
[2] The quote is from Ralph Waldo Emerson’s book Essays, Second Series from the essay “The Poets.” Here’s a link to an excerpt: http://www.goodreads.com/quotes/495734-the-poet-is-the-sayer-the-namer-and-represents-beauty?.
[3] Or you can read the entire essay in this handsome collection: Emerson: Essays and Lectures: Nature: Addresses and Lectures / Essays: First and Second Series / Representative Men / English Traits / The Conduct of Life (Library of America) [Hardcover].
[4] This is a reference to a passage in chapter two of The Epistle of St. Paul to the Ephesians. William D. Mounce writes on the matter of the original Greek text in this article, Are We God’s Poem?.
How do you manage your online and offline activities? Okay, I am assuming you do manage your online and offline activities. For many people, time management is something that is not practiced–especially as it relates to blogging and social media. If you have an idea or thought, you post it on Twitter, Tumblr, Facebook or blog it.
True confession: I was one of those who did not manage online and offline activities. When I finally purchased a smartphone, I immediately downloaded all the latest and greatest social media mobile apps to stay connected. Or, at least, that was the reasoning. It was difficult for me to understand why some of my friends (online and in-real-life) were not more engaged in social media. For the most part, I disregarded them off as neo-luddites. Yes, I was a social media snob.
That all changed when I joined the ranks of the mega-commuters.[1] With long commutes to the office, there is limited time to engage in blogging and social media with out planning. Or at least, not a safe way to do it while driving through city traffic and mountains roads. Additionally, with the weight of leadership decisions and somewhere between 50 to 75 tasks per week, I rarely check my personal email or check social networks until the weekend.
So, for the last year or so my blogging and social media posts and updates have been automated. More accurately, most blog posts are scheduled using a WordPress feature and social media posts and updates scheduled using Hootsuite.
Saturday mornings or Sunday nights tend to be the time when I write online posts/updates. However, that doesn’t seem the best time to engage people. A couple articles I read [2] [3] suggest when the best time to post content on blogs and social media. So, I preschedule the posts, tweets, and other social media updates on the weekend. Sometimes I preschedule posts and updates as much as 14 days to a month in advance.
The downside of automating posts and updates as the lack of engagement. Sure, the content gets out there on a regular basis, but there’s little or no conversation taking place. This also means I miss a lot of the activity and conversation that is taking place on blogs and social networks. Some Saturday mornings I will spend a whole hour replying to comments on social media sites from the previous week. The point of social media is sharing and interaction.
In a manner of speaking and due to my present circumstances, I’ve sort of become one of those neo-luddites I used to snarkily snicker at. It’s humbling to realize how much of an idiot I had been regarding social media snobbery. Not everyone has the luxury of being accessible to social media. And, quite honestly, terra will continue her daily rotation speed of 1070 miles per hour regardless of my social media activity (or lack thereof).
NOTES:
[1] Matt Stiles, “Interactive: Compare Your Commute To The Nation’s Longest,” NPR’s The Two-Way, March 5, 2013 accessed April 23, 2013 http://www.npr.org/blogs/thetwo-way/2013/03/05/173515882/interactive-compare-your-commute-to-nations-longest
[2] Daniel Zeevi, “STUDY: When is the Best Time to Publish a Blog Post?,” Dashburst.com, February 4, 2013 accessed April 23, 2013 http://dashburst.com/report/best-time-to-blog/
[3] Samantha Murphy, “The Best and Worst Times to Share on Facebook, Twitter,” Mashable.com, May 9, 2012 accessed April 23, 2013 http://mashable.com/2012/05/09/best-time-to-post-on-facebook/
Where did April go? It’s a blur to me. In truth, most of this year has been a blur. If you journal or keep a diary, you understand the benefit of review. If you blog you know that you should be able to write a blog post in 70 minutes or less[1] and should have five main components including:
Make sure you publish your post between 8 AM and 11 AM on a Monday morning[3] and include bullet points. A blog post without images and bullet points is highly ineffective. Yes, I’m a bit sarcastic. But don’t you feel that blog posts seem dehumanized by formulas for effectiveness and templates for success?
I look at my journal pages and see business cards and receipts stuffed between pages. On one page there’s a list of numbers (after deciphering them, I realized they are the CMYK break down of a turquoise color for a book project). Another page has an appointment date and time crossed out. My favorite is an unfinished note at the bottom of one page that simply ends mid-sentence. No conclusion. Random, incomplete entry. Even productivity guru and author of Getting Things Done David Allen tweeted a few months ago:
“Life is messy; that’s why it’s so dynamic.”[4]
May is almost here. Glancing in the rearview mirror of analog and digital review helps me set goals for the horizon seen through the windshield. If this were a highly effective blog post, I would include a discussion question like: “How does journaling help you create dynamic goals for the next 30 to 90 days?” But this is not a successful blog post even though it has bullet points and an image.
NOTES:
[1] Michael Hyatt, “How to Write a Blog Post in 70 Minutes or Less,” michaelhyatt.com, September 15, 2011 accessed April 29, 2013 http://michaelhyatt.com/how-to-write-a-blog-post-in-70-minutes-or-less.html
[2] Michael Hyatt, “Anatomy of an Effective Blog Post,” michaelhyatt.com, January 31, 2011 accessed April 29, 2013 http://michaelhyatt.com/anatomy-of-an-effective-blog-post.html
[3] Daniel Zeevi, “STUDY: When is the Best Time to Publish a Blog Post?,” Dashburst.com, February 4, 2013 accessed April 23, 2013 http://dashburst.com/report/best-time-to-blog/
[4] David Allen, Twitter post, September 27, 2012, 3:11 AM accessed April 29, 2013 https://twitter.com/gtdguy/status/251111806951649280
After nearly a decade since it was published, Late Night Writing is now available as an ebook for $1.99 at Amazon.com. The ebook features some new material — a Foreword by journeyman journalist/editor, poet, and founder of The Indie, Pasckie Pascua, an Introduction and an epigraph (of sorts).
Late Night Writing is available as a Kindle ebook, and that means you should be able to read it on all Kindle devices as well as iPhone and iPad devices. For those who do not have an ereader or tablet, Amazon has an app you can download that will allow you to read ebooks from your desktop or laptop computer.
Last month I re-read Late Night Writing and found, in retrospect, that reminds me of something Thomas Merton once wrote. I am interested to learn what you think of the collection of poems. Please leave your comments below or feel free to leave a starred review on the ebook’s Amazon page. Thanks for your support!
Wear the blue neck tie to suggest boldness and confidence. Wear the red tie for passion. Or so the conventional wisdom offers those business persons who are presenting themselves for a job interview. Color is important when designing books, posters, web sites, etc. Building an effective color palette takes years of experience in knowing the right color combinations that present contrast or harmony or various other arrangements.
Thanks to some online resources, creating a color palette takes only a few minutes. Here are four online tools to use in creating a customized color palette.
There is also a way to create a color matrix using Adobe Illustrator, but that’s a bit more involved and takes longer to explain. Here’s an example of what a color matrix looks like (see below).
What tools do you use to create effective color palettes?
So, you write poems. Maybe you read your poems at a local bookstore, music venue or coffeeshop at a monthly or weekly open mic. And maybe you even sign up for a writing workshop and the teacher hosts a public reading at a fine art center or library at the conclusion of the course. But do you submit your poetry for publication?
Last month I submitted over 50 poems for publication. So far I’ve receive quite a few reject letters. Some replies were so quick I wonder if the editor read the submission. A week after I submitted poems to one editor I received this:
“I enjoyed reading your poems but I’m unable to use them…”
A day later I received this from a different editor:
“Thank you for your recent submission…. This group of poems wasn’t right for us, but we’re grateful for the opportunity to consider your work…”
These replies are courteous, non-confrontational and sterile. Last weekend I received my favorite rejection letter so far. It reads,
“We sincerely appreciate your interest … and are very glad you are getting your pieces published…. we wish you the best of luck in your continued writing. Never give up on what your high school literature teacher told you!”
Why do I like that rejection letter? Here’s three reasons:
Literary journal editors should take note of this rejection letter. It is a good model to follow.
If you submit your poetry for publication, I am interested to learn how it is going for you. If you don’t submit your poems for publication, I’d like to know why.
Let’s face it, e-books are no longer a novelty. With the Kindle, Kobo, Nook and other e-reader devices, the transition to a digital reading experience is no longer a discussion. They are here to stay. But is the e-book market just for adults? How well do children’s books sell on this new platform?
Last year, I worked on a half dozen or so children’s books. Not books I’ve written, mind you, but I did design covers, inside layout and typesetting. All of the titles are available on various e-reader devices. Each book features fully illustrated pages (the industry trade refers to them as picture books) and they print at various formats. The most common — and standard to the trade — is a 32-page, 8.5″x11″, colored ends hardcover book.
This is where the question gets interesting: Do children’s books sell as e-books? According to one report,
“children’s and young adult digital book revenues exploded nearly 300 percent…”[1]
Those sales numbers are quite convincing. Authors request e-books of their picture books in addition to their traditionally printed picture books. At least, the authors I work with are convinced by the published industry sales reports. Best I can tell is that young adult books perform much better than picture books even though children’s and young adult books are lumped together in a single category.
My experience is that the iPad provides the best possible interface as an e-reader with brighter colors and fluid user experience. The more popular e-readers (i.e. Kindle and Nook) seem clumsy by comparison leading some to believe that the e-reader device is a transitional technology that is soon to be replaced by the tablet.[2] Both Kindle and Nook scale down a large format picture book to the default viewing area specific to the individual device. Though the iPad has the better picture book experience, I’ve noticed that children are more interested in apps than e-books.
So, what is an author of children’s picture books to do? Here are some things to keep in mind as a children’s book author:
The tactile interaction with a physical book is an important part of the reading experience for children. In her book The Writing Life, Annie Dillard writes,
“The written word is weak. Many people prefer life to it.”
As e-books gain market share, the written word — whether print or digital — will always compete with life. Readers still seek to retreat into books that don’t offer the distraction of emails, hyperlinks, social media updates, Youtube videos and the like. It’s a choice the reader and the author must make.
NOTES: What prompted this post is a discussion posted on the LinkedIn group Ebooks, Ebook Readers, Digital Books and Digital Content… The specific discussion thread is here http://www.linkedin.com/groups/Do-childrens-books-sell-as-1515307.S.212309551
[1] Jason Boog, “Children’s & Young Adult eBooks Saw Nearly 300% Growth,” Galleycat, September 7, 2012 accessed February 19, 2013 http://www.mediabistro.com/galleycat/category/sales-stats
[2] Dan Eldridge, “The Disappearing Market Share of the E-Reader: Is it now a transitioning technology?,” Teleread.com, November 1, 2012 accessed February 19, 2013 http://www.teleread.com/e-ink/the-disappearing-market-share-of-the-e-reader-is-it-now-a-transitioning-technology/
[3] Kids & Family Reading Report, Scholastic, accessed February 19, 2013 http://mediaroom.scholastic.com/kfrr
[4] Kids & Family Reading Report, Scholastic, accessed February 19, 2013 http://mediaroom.scholastic.com/kfrr
Coffeehouse Junkie 